100
Los Angeles Times by Robert Abele
[Filho's] mastery of pacing, theme and stylistic eccentricity throughout Neighboring Sounds is so assured as to be breathtaking. Don't miss it.
Neighboring Sounds (O Som ao Redor)
Critic Rating
(read reviews)User Rating
- Brazil
- 2012
- · 131m
Director
Kleber Mendonça Filho
Cast
Maeve Jinkings,
Irandhir Santos,
Gustavo Jahn,
W.J. Solha,
Irma Brown,
Sebastião Formiga
Genre
Drama,
Thriller
Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm bringing with them a sense of safety as well as anxiety. A slice of ‘Braziliana’, a reflection on history, violence and noise.
Stream Neighboring Sounds
What are critics saying?
90
The New York Times by A.O. Scott
With his sound designer, Pablo Lamar, Mr. Mendonça has created the aural landscape of a horror movie. And, for much of its running time, a thriller without a plot.
83
The A.V. Club by Scott Tobias
The beauty of the film is how organically its themes are presented - it's a slice of life that comes about its sweeping ideas with surprising delicacy.
80
Empire by David Parkinson
Superbly judging tonal shifts and juggling disparate storylines, this snapshot of a Refice street reveals the class, gender, racial and historical fissures in Brazilian society, while also making for riveting drama right down to the shocking sting in the tail.
75
Boston Globe by Ty Burr
Neighboring Sounds unfolds like a casual nightmare in the light of day.
75
New York Post by V.A. Musetto
The film leisurely unfolds as a series of vignettes about class distinctions and crime, with an unexpected ending. It is beautifully filmed in CinemaScope and strongly acted (especially by Solha), and makes for mesmerizing viewing.
63
Slant Magazine
The images, while beautiful, are sentimental, as if Kleber Mendonça Filho is trying to negotiate too much.
63
Slant Magazine by Ela Bittencourt
The images, while beautiful, are sentimental, as if Kleber Mendonça Filho is trying to negotiate too much.
60
Village Voice
A tightening of the two-hour-plus running time might have enhanced the balance between Filho's epic, evocative style and his smaller story about a certain mode of modern life, its lonely confrontations, and the stubborn legacies of the past.
60
Time Out by Keith Uhlich
Filho so completely calculates his causes and effects, even going so far as to have the villain of the piece literally swimming with sharks, that you never fully feel the senses-altering charge of a truly impassioned polemic.
60
Village Voice by Michelle Orange
A tightening of the two-hour-plus running time might have enhanced the balance between Filho's epic, evocative style and his smaller story about a certain mode of modern life, its lonely confrontations, and the stubborn legacies of the past.
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