New York Daily News by Jack Mathews

Maybe you have to have experienced one of these anti-weather urban cocoons to appreciate the concept of the film, and the prickly people who populate it.

New York Magazine (Vulture) by Peter Rainer

Has a poignant undertone: We may feel we already know in our bones just how suffocating this culture is; but the people who made this movie seem to be discovering each fresh horror for the first time. It's like watching a virgin sacrifice.

Christian Science Monitor by David Sterritt

It's a smart and creative comedy that skewers cheaply dehumanizing architecture and self-absorbed yuppie mentalities in a series of skillfully assembled scenes. See it in a theater that's waydowntown, and city life may never look the same.

Boston Globe by Jay Carr

The film will resonate with today's alienated workers, whose every brain cell and nerve ending hates the soul-crushing jobs they're told they should be grateful to have.

The A.V. Club by Keith Phipps

Occasionally resembling an episode of Seinfeld taken to the big screen, waydowntown shares that show's ability to mine mundane details for humor, and its Tomorrowland-gone-awry setting provides plenty of raw material.

The New York Times by Stephen Holden

A smart, sardonic satire.

Village Voice by Jessica Winter

With wit and empathy to spare, waydowntown acknowledges the silent screams of workaday inertia but stops short of indulging its characters' striving solipsism.

New York Post by Lou Lumenick

Quirky and sometimes hilarious Canadian comedy.

Variety by Ken Eisner

Third outing for prairie auteur Gary Burns is his most ambitious, and most uneven, effort yet.

Film Threat by Phil Hall

Writer/director Gary Burns offers a suffocating experience which is too boring to be accepted as a satire, too lame to be accepted as a farce, and too infantile to be accepted as a drama.