The Circle | Telescope Film
The Circle

The Circle (دایره)

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Various women, whose lives intertwine, struggle to function in the oppressively sexist society of contemporary Iran. Their crimes are vague, their guilt or innocence unimportant. Their world is one of constant surveillance and inequalities, but it cannot extinguish the spirit, strength, and courage of the circle of women.

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What are critics saying?

100

Christian Science Monitor by David Sterritt

Suspenseful and ingeniously directed.

100

Philadelphia Inquirer by Steven Rea

Quiet, rageful indictment of a two-tiered Islamic society.

100

Mr. Showbiz by Michael Atkinson

Naturalistic, gritty, and unrelenting.

100

Entertainment Weekly by Lisa Schwarzbaum

Circles the heart of noisy, modern Tehran with an informal, documentary-like freedom that is thrilling in its naturalism.

90

L.A. Weekly

A triumph of invisible craftsmanship that embraces so much specific detail that none of the women ever comes across as an emblem or an abstraction.

90

Los Angeles Times by Kenneth Turan

Restrained yet powerful, devastating in its emotional effects.

90

The New York Times by Dana Stevens

The political implications of the film are manifest, as is the quiet courage of making it.

90

Wall Street Journal by Joe Morgenstern

A stunning drama about the desperate state of women in Iran.

90

L.A. Weekly by David Chute

A triumph of invisible craftsmanship that embraces so much specific detail that none of the women ever comes across as an emblem or an abstraction.

90

Washington Post by Desson Thomson

A memorable and devastating indictment of the oppression facing many women in Iran.

90

Variety by Deborah Young

Both fascinates and horrifies with its bold assertions about what it means to be a woman under a cruel, institutionalized patriarchy.

83

Seattle Post-Intelligencer by Sean Axmaker

A mix of the poetic and the polemic, the film is oddly abstract and untethered.

80

TV Guide Magazine by Ken Fox

This tightly structured, often exciting film is among the boldest in a series of increasingly explicit movies.

80

New Times (L.A.) by Jean Oppenheimer

An extraordinary film from a born filmmaker.

75

Baltimore Sun by Michael Sragow

A terrific social drama, the work of an artist, not a pleader.

75

New York Daily News by Jami Bernard

How dangerous it is to be a woman in Iran, especially one going against the wishes of her menfolk, is brought home time after time in these related vignettes.

63

New York Post by Jonathan Foreman

This film is fighting the good fight, albeit in a rather heavy-handed way.