Tabu | Telescope Film
Tabu

Tabu

Critic Rating

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User Rating

When Pilar's befriended neighbour Aurora dies, Pilar starts to dig into Aurora's past and learns about Aurora's very tragic love story.

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What are critics saying?

100

The Playlist

Charming, witty, beautifully shot and inexplicably captivating.

100

Slant Magazine

The pangs of romance, eroticism, anguish, and longing (both for the stolen moments of private passion and for the sense-making schematics of Empire) transcend any period of cinema Tabu may evoke.

100

Slant Magazine by John Semley

The pangs of romance, eroticism, anguish, and longing (both for the stolen moments of private passion and for the sense-making schematics of Empire) transcend any period of cinema Tabu may evoke.

100

The Playlist by Nikola Grozdanovic

Charming, witty, beautifully shot and inexplicably captivating.

100

Salon by Andrew O'Hehir

If you have the patience to watch this film develop and unfold, like some bizarre night-blooming orchid, what you'll see is not just the last movie released in 2012, but possibly the most original of them all.

95

NPR by Ian Buckwalter

In Tabu, Portuguese writer-director Miguel Gomes spins a two-part tale examining love, loneliness and the power of memory.

90

Variety

Even more than in "Our Beloved Month of August," Miguel Gomes begins Tabu in a seemingly ridiculous vein and unexpectedly shifts to something surprisingly enriching and poetic.

90

Variety by Jay Weissberg

Even more than in "Our Beloved Month of August," Miguel Gomes begins Tabu in a seemingly ridiculous vein and unexpectedly shifts to something surprisingly enriching and poetic.

90

Village Voice by Eric Hynes

Tabu manages to be both classical and modern, ironic and heartbreaking.

88

New York Post by Farran Smith Nehme

The story is ornate but easy to follow. It's the dreamy look and sound of Tabu - half old, half modern - that give the film its haunting strangeness.

83

The A.V. Club by Scott Tobias

Like other great pastiche artists, Gomes has created a time machine to a cinematic era that never quite existed, so it feels simultaneously borrowed and new.

83

Portland Oregonian by Marc Mohan

The black-and-white cinematography and silent-film feel are haunting and nostalgic, and Aurora's story encapsulates a broader, bittersweet truth about the perils of tinted memory.

80

Total Film by Carmen Gray

This blend of tongue-in-cheek exoticism and desire so strong it makes crocodiles melancholic amply rewards your patience.

80

The Hollywood Reporter

Another charmingly eccentric exercise in meta-fiction from Portugal's offbeat new directing star Miguel Gomes, Tabu chooses to explore its characters without following narrative rules, or rather, by reshuffling hackneyed tropes from film and novels to turn them into strange, modern entertainment.

80

The Guardian by Peter Bradshaw

It's a gem: gentle, eccentric, possessed of a distinctive sort of innocence – and also charming and funny.

80

Empire by David Parkinson

Shot in beautiful black and white with some stunning visuals, Gomes' narrative quest is a understated gem.

60

Time Out by Joshua Rothkopf

The whole second half suggests a new way of storytelling-like one of those Wes Anderson montages done by an obsessive fan of Hatari! To judge from Tabu's first hour, pacing is not Gomes's strong suit, yet the filmmaker who emerges might win you over.

50

The New York Times by A.O. Scott

It is, of course, art rather than history - an elegant composition of dreams, memories and suggestive images - but its artfulness seems like an alibi, an excuse for keeping the ugliness of history out of the picture.