Christian Science Monitor by David Sterritt
Kim's movie conjures a sense of spiritual discipline as suspenseful as it is stunning to watch and exhilarating to contemplate.
Critic Rating
(read reviews)User Rating
Director
Kim Ki-duk
Cast
Kim Ki-duk,
Kim Young-min,
Ha Yeo-jin,
Oh Yeong-su,
Seo Jae-kyeong,
Kim Jong-ho
Genre
Drama
At a secluded monastery in the Korean wilderness, a young Buddhist apprentice is trained by an old monk. Divided into segments based on season, this film recounts the life of the apprentice from youth to old age as he faces various obstacles to his faith.
Christian Science Monitor by David Sterritt
Kim's movie conjures a sense of spiritual discipline as suspenseful as it is stunning to watch and exhilarating to contemplate.
Charlotte Observer by Lawrence Toppman
This meditation on spirituality, loneliness and accountability could touch your heart's core.
San Francisco Chronicle by Carla Meyer
A masterful portrait of the seasons of a life.
Entertainment Weekly by Owen Gleiberman
The triumph of ''Spring, Summer'' is that even those of us who don't happen to be Buddhists can catch a glimpse of ourselves in the spinning wheel of hope, destruction, suffering, and bliss.
Los Angeles Times by Kenneth Turan
As meditative and beautiful as its title would indicate. What is a surprise is the extent to which it manages to be involving if you can put yourself on its wavelength.
L.A. Weekly by Scott Foundas
The film unfolds at a deliberate pace, with a soundtrack occupied less by dialogue than by the sounds of water flowing and crickets chirping. And if you listen carefully enough, you might just hear the sound of one hand clapping.
The New York Times by Dana Stevens
An exquisitely simple movie. Mr. Kim manages to isolate something essential about human nature and at the same time, even more astonishingly, to comprehend the scope of human experience.
Washington Post by Desson Thomson
Truly a movie for world audiences with a message that's devastatingly subtle.
Wall Street Journal by Joe Morgenstern
This beautiful -- and beautifully controlled -- film is also an object lesson in how to hypnotize an audience.
New York Magazine (Vulture) by Peter Rainer
Kim exalts nature--life’s passage--without stooping to sentimentality. He sees the tooth and claw, and he sees the transcendence. Whether this is a Buddhist attribute, I cannot say, but the impression this movie leaves is profound: Here is an artist who sees things whole.
Village Voice by Michael Atkinson
Far from a maxim-expounding sermon, the film is a fresh spring of irrational visual pleasure.
Variety by Derek Elley
A sublime, witty, gritty and transcendental movie reflecting one man's life journey.
The Hollywood Reporter by Kirk Honeycutt
Kim Ki-duk keeps dialogue to a minimum and actions simple in what is virtually a two-character piece. Humor arrives organically, often resulting in hearty laughs.
TV Guide Magazine by Ken Fox
Exquisitely crafted drama.
The A.V. Club by Noel Murray
It IS a little obvious, but that's the way it goes with spiritual enlightenment. The film's lessons are plain--spoken aloud, even--and deal with the close relationship between what can be shed in this life and what binds people to the world in spite of their best efforts to purify.
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