Entertainment Weekly by Owen Gleiberman

It's a poison bonbon tastier than just about anything else out there.

San Francisco Chronicle by Ruthe Stein

Notes on a Scandal won't be everyone's cup of tea. But if you like your films strong, this one is not to be missed.

Portland Oregonian by Shawn Levy

Oacks more heat, acid, danger and drama into its brief running time than most films of nearly double the length.

Seattle Post-Intelligencer by Paula Nechak

The two women -- as well as the always marvelous Bill Nighy as Blanchett's "older" husband -- run roughshod over its third act flaws and, with their exquisitely detailed performances, make it better than it is. It's an actor's triumph.

New York Magazine (Vulture) by David Edelstein

Anyone who loves live-wire acting will gasp in awe at Blanchett, more emotionally exposed than ever, and, most of all, at Dame Judi, who’s so electric she makes you quiver.

Variety by Justin Chang

The riveting interplay between Dench and Cate Blanchett draws blood with every scene, thanks to a precision-honed script and Eyre's equally incisive direction.

Newsweek by David Ansen

A wicked delight. Adapted by playwright Patrick Marber from Zoe Heller's acclaimed novel, it's at once a comedy of cluelessness and class, a melodrama of two women in the grips of wildly inappropriate obsessions, and a "Fatal Attraction"-style thriller.

Chicago Reader by J.R. Jones

The skillful Patrick Marber (Closer) adapted this gripping drama from a novel by Zoe Heller, and it's both literate and urgently plotted, with a voice-over from Dench that cuts like broken glass.

New York Daily News by Jack Mathews

As the relationship between the two British schoolteachers begins (quietly), builds (deceptively) and dissolves (spectacularly), Dench and Blanchett give a master class in acting. Pick your own sports metaphor, but watching them go at each other is the match of the year.

Boston Globe by Ty Burr

Notes on a Scandal is a nice mug of poisoned eggnog for the holiday season -- a movie so smart and entertaining you almost don't feel its chill sicken your bones.

Rolling Stone by Peter Travers

If you want to see explosive acting, just watch Judi Dench and Cate Blanchett ignite in this film version of Zoe Heller's 2003 novel.

ReelViews by James Berardinelli

The most important part of any thriller - even one as upper crust as this - is the resolution, and that's where Notes on a Scandal falls on its face. The ending itself isn't bad but the single act leading to it is unforgivable.

Premiere by Glenn Kenny

If the resultant wreckage is a little underwhelming, and the film's coda useless and trite, the getting there is pretty absorbing.

The New York Times by Manohla Dargis

The actors in Notes on a Scandal are equally distinguished: Ms. Dench and Ms. Blanchett are among the finest on the market today, and each can deliver expert performances, even when, as is the case here, their roles are false and hollow. The performers sell the goods, but the goods are cheap.

Time

Director Richard Eyre and screenwriter Patrick Marber keep forcing us past disbelief and into the perverse pleasures of nastiness. If nothing else, their film is the perfect antidote to all those warm, forgiving schoolboy dramas we've endured through the years. This corn is not green; it is rotten down to the last kernel.

The Hollywood Reporter by Kirk Honeycutt

Eyre does a fine job overseeing performances by a terrific cast that rings true until female hysteria takes over the final act. But in tone and theme, the film has all the hallmarks of playwright-screenwriter Marber's stark, uncompromising misanthropy, if not misogyny.