New York Daily News by Elizabeth Weitzman

Charismatic and complicated, Noonan tries to run the movie the way he runs his town. But while the director sometimes appears to be glorifying Noonan's choices, reminders of uncomfortable reality intrude regularly.

Film Threat by Pete Vonder Haar

Noonan's life is one few of us can comprehend, and Mac Intyre's documentary, A Very British Gangster, is like a Guy Ritchie film come to life, only with a better dressed cast.

Los Angeles Times

If Tony Soprano had a cheekier, less haunted, openly gay British counterpart, it would be Dominic Noonan, the Manchester crime boss profiled in the stylish and compelling A Very British Gangster.

Variety

Noonan talks too much, preens too much and simply loves the camera. And the bald, bullish, real-life mobster will likely place MacIntyre's movie among the more commercial nonfiction films of the year.

Salon by Andrew O'Hehir

Investigative journalist Donal MacIntyre's film is fairly standard British TV product, closer to a glorified "60 Minutes" segment then to cinematic art. But never mind -- its subject is, as he might say, feckin' amazing.

The Hollywood Reporter by James Greenberg

A Very British Gangster is not only Noonan's story but a profile of a community dealing with poverty and drugs, and seeing no way out. In a sense, Noonan and his cronies are born into a life of crime.

TV Guide Magazine by Maitland McDonagh

Features some strikingly intimate footage of Noonan's extended family, but lets Noonan himself drives the show and his colorful tales of villainy that cry out for more context than MacIntyre provides.

Village Voice

MacIntyre's control over his material is assured at times, particularly when he focuses on Dom's young son, Bugsy, and the other troubled boys who float around the periphery of the Noonan gang.

The New York Times by Jeannette Catsoulis

Plays less like a documentary than an E! exposé of lowlife skulduggery.