RogerEbert.com by Nick Allen

The culture clash here between "goddamn hipster freaks" and people of the woods is more complicated here, and the way it unfolds is brutal and shocking without being depraved itself.

IGN by Matt Fowler

Wrong Turn delivers a handful of timely twists and coats the franchise with a new, and vastly more interesting, sheen. It stumbles at times to balance all the themes it's trying to handle with regards to societal ills, individual value, and self-determinism but the end result is still a warped ride that could set up more thrills to come.

The A.V. Club by Katie Rife

Although its many complications quickly devolve into absurdity, Wrong Turn does deserve some credit for the boldness with which it deviates from its franchise inspiration. This is no paint-by-numbers remake. And although it’s just got way too much going on, the gore is gnarly, the paranoia is palpable, and the characters, while sometimes annoying, have motivations and arcs that make sense.

Screen Rant by Mae Abdulbaki

The film does an outstanding job elevating its horror with a sprinkling of disconcertment, but it takes a wrong turn by offering a muddled message.

Empire by Ian Freer

Wrong Turn has some decent booby-trap business but can’t find enough that is different to enliven the weary concept. But for the horror hardcore, keep watching once the credits roll.

The Guardian by Peter Bradshaw

It’s a bit silly and queasy, but the narrative motor keeps humming.

Movie Nation by Roger Moore

I didn’t hate it, but didn’t get much out of it and found it boring. Still, fans of kidnapping, impaling, hot-poker-in-the-eye cinema may take to it as their cinematic happy place.