Whispers of a Burning Scent | Telescope Film
Whispers of a Burning Scent

Whispers of a Burning Scent

  • Austria,
  • Germany,
  • Somalia
  • 2026
  • · 27m

Director Mo Harawe
Cast Omar Abdi, Canab Axmed Ibraahin, Nuh Musse Berjeeb, Maxamed Axmed Maxamed

On the day of a decisive court hearing and an important wedding performance, a quiet wedding musician finds his private life exposed to public scrutiny. Accused of exploiting his marriage, he moves between courtroom, city streets and stage, carrying the weight of judgment, loyalty, and unspoken guilt.

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What are critics saying?

80

Los Angeles Times by Peter Rainer

But it's essentially a tour de force for Pacino, and he sustains us through the slow passages by working with a closed-in intensity that turns each scene into a kind of mini-movie complete with its own ticking time bomb. [23Dec1992 Pg. 1]

75

TV Guide Magazine by Staff(Not credited)

Thanks to a landmark performance by Al Pacino, SCENT OF A WOMAN is an agreeably watchable film. If they'd made it half an hour shorter and re-written the ending, it could have been a great one.

75

Entertainment Weekly by Owen Gleiberman

In the end, Scent of a Woman offers little more than lumbering simulation of Rain Man's nimble magic. But Pacino's performance-scabrous, tender, ripely theatrical-is a master showman's trick.

75

ReelViews by James Berardinelli

If there's anything special about the film, it's that on this occasion, the emotional realism of the characters, especially Slade, is heartwrenchingly believable.

75

Chicago Sun-Times by Roger Ebert

By the end of Scent of a Woman, we have arrived at the usual conclusion of the coming-of-age movie, and the usual conclusion of the prep school movie. But rarely have we been taken there with so much intelligence and skill.

70

Washington Post by Hal Hinson

This is a great performance from Pacino, who has the good luck here to work with Goldman's mostly wonderful, edgy script, but it might not become a beloved one because the man he plays is such a bitter pill.

70

The New York Times by Janet Maslin

The good thing is that the principals and film makers make the absolute most of a conventional opportunity.

60

The New Yorker by Terrence Rafferty

This is acting that chills the heart beyond any possibility of warming.

60

Washington Post by Desson Thomson

In the end, however, when all Pacino's demons are bared, they don't add up to the poignant punchline you were set up for. The movie seems to have two or three finales too many -- a disturbing trend in all too many films of late.

50

Austin Chronicle by Marjorie Baumgarten

There's no denying that Pacino's performance is superb. The rest of the movie plays like a bunch of inconsequentially strung together sequences.