The Globe and Mail (Toronto) by Barry Hertz

It is respectful and smooth filmmaking that never loses sight of its one and only goal: keeping its audience hooked.

San Francisco Chronicle by Michael Ordona

The result is a genre entry that avoids the missteps of so many spy movies — the superhero protagonist, the mission not being compelling, relying too much on action sequences and predictable betrayals. Instead, it invests in its world, its relationships, and its premise.

The Playlist by Rodrigo Pérez

At the very least, the skillful film generally doesn’t insult the audiences intelligence and generally is a lot smarter and sharper than most mainstream moves in cineplexes these days.

Collider by Jeff Ewing

The film is at its best when Heller is executing novel kills or blackmailing his bosses, and we're given just enough of those adrenaline-pumping scenes to make it all work together well. The Amateur strikes that delicate balance often (though not universally), but it works well enough when it counts, for an outing worth seeing.

Screen Rant by Tatiana Hullender

Yes, Charlie Heller (a brilliant Rami Malek) spends an appropriate amount of time dreaming up memories of his beautiful wife Sarah (an underutilized Rachel Brosnahan), but the screenplay by Ken Nolan and Gary Spinelli offers plenty more than the usual setup of a man hulking out over a woman's death.

The Daily Beast by Nick Schager

Unsurprising from start to finish and yet proficiently executed thanks to its impressive cast, it’s the definition of serviceable.

IGN by Eric Goldman

It mixes the throwback feel of an old-school spy story with an engaging scenario about a tech-savvy CIA analyst thrust into the field for decidedly dark reasons. The direction and a strong cast help sell this vibe and make for an entertaining time, even if it comes to a less-than-satisfying conclusion.

Slashfilm by Jeremy Mathai

The film is undeniably at its best when grappling with the push and pull of technology versus old-school espionage.

The Associated Press by Lindsey Bahr

The Amateur has a lot going for it -- but it takes also takes a while to get going. Once it does, it can’t quite maintain a level of energy and suspense needed to justify its runtime.

Slant Magazine by Gregory Nussen

The Amateur is a relaxed and pleasurable throwback to the spy pulp of the 1970s and ’80s, yet told with a (mostly) honest appraisal of the C.I.A.’s ethical failings.