Ofélia na Praia, versão estendida | Telescope Film
Ofélia na Praia, versão estendida

Ofélia na Praia, versão estendida

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What are critics saying?

100

Austin Chronicle by Steve Davis

Given its nonlinear structure, Your Name requires your trust, but once you place your faith in screenwriter/director Shinkai’s expert hands, the reward will come. (Not surprisingly, the film is the fourth-highest-grossing film in Japan’s history.)

100

Total Film by Kevin Harley

Prepare to be spirited away. A brain-scrambler to make hearts swell, Shinkai’s giddy romance brims with emotion and invention.

100

Empire by Dan Jolin

Part body-swap comedy, part long-distance romance, part... something else. If you only see one Japanese animated feature this year, see this one, and see it more than once.

100

The Telegraph by Robbie Collin

The only way to understand it is to swim in it for yourself, feel your own heart braid around these two interwoven lives, and gaze up in awe at the silvery arc those falling stars trace across the sky.

100

The Hollywood Reporter by Deborah Young

The beauty of the feature lies in its ability to stir the imagination with eerie, resonant hand-drawn animation.

91

Consequence by Dominick Suzanne-Mayer

Your Name is the kind of film that’s all the more striking for how easily it could have gone awry, but Shinkai has accomplished something unique and genuinely special here.

91

The Film Stage by Jared Mobarak

Shinkai’s film opens up from cute stranger-in-a-strange-body antics and expands into a philosophical and metaphysical parable about fate.

90

NPR by Bob Mondello

Taki and Mitsuha think they're dreaming, and after about the first 40 minutes of their shimmering film, you may think you are, too.

90

Village Voice by Sherilyn Connelly

Makoto Shinkai's lush mindbender Your Name has many elements that are familiar on their own but here combine to create something unique.

90

Los Angeles Times by Justin Chang

The movie’s spirit is by turns energetic and serene, impetuous and wise, its wild shifts from comedy to tragedy to romance revealing themselves not as tonal swings so much as variations in a larger cosmic pattern.