San Francisco Chronicle by Mick LaSalle
The best American movie about women so far this year, and probably the best that will be made this year.
Director
Jayantha Chandrasiri
Cast
Hemal Ranasinghe,
Uma Aseni,
Thumindu Dodantenna,
Mart Lachev,
Wasantha Kumarawila,
Paboda Sandeepani,
Iain Collins,
Simon Ellis,
Christopher Kouros,
Sam Tolhurst
Genre
Action,
Fantasy,
Drama
In Sinhalese folklore, Mahasona (also spelled Maha Sona or Maha Sohona) is one of the most feared and powerful demons (Yaksas) in Sri Lanka. His name translates to "The Great Demon of the Cemetery" or "Great Graveyard Spirit".
We hate to say it, but we can't find anywhere to view this film.
San Francisco Chronicle by Mick LaSalle
The best American movie about women so far this year, and probably the best that will be made this year.
Austin Chronicle by Kimberley Jones
In its cinematic incarnation, Sex and the City has lost none of its bawdiness yet gained a more profound sense of soberness. Parker, especially, who in the last season of the show bordered on insufferable in her affected squeaks and shrieks, is allowed to go to very dark places – to be, in fact, quite unfabulous.
Chicago Tribune by Jessica Reaves
Michael Patrick King's screenplay hits all the right notes, building on the warmth and familiarity of the series (which King also wrote).
Entertainment Weekly by Owen Gleiberman
A movie that taps directly back into the show's primal appeal, which is the sweet, sad, saucy delight of sharing these women's company.
New York Daily News by Elizabeth Weitzman
The movie's beating heart is the friendship between the women, who had found some sort of happiness by the show's 2004 finale. Now they're all at a personal crossroads and need one another more than ever.
Los Angeles Times by Carina Chocano
Can't rightly be called a romantic comedy in the dismal, contemporary sense, though it is at times romantic and is consistently very funny. It's also emotionally realistic, even brutal.
Premiere by Emily Rems
It gives you everything you ever loved about the series, and blows it out into super-size cinematic proportions.
Seattle Post-Intelligencer by Athima Chansanchai
In this film, the clothes and the city are characters as vital as the four leads, and they don't disappoint. But don't expect any trend-setting in the manner of the series. This is a runway that begins and ends with the movie.
Philadelphia Inquirer by Carrie Rickey
The four women couldn't be better - or better matched. As always, Parker is the standout, cracking your heart and cracking you up with equal ease.
USA Today by Claudia Puig
Amid the style, sass and sexiness is plenty of sentimentality, especially at the satisfying conclusion.
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