One Point O | Telescope Film
One Point O

One Point O

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Paranoid computer programmer Simon wakes up to find a package in his room one day. Despite attempts at securing his apartment, the packages keep arriving. While cameras watch Simon's every move, he struggles to find the answers to the mysterious forces taking over his life.

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What are critics saying?

90

Village Voice by Diana Clarke

It's a fault of feminism, of artistry, of generosity, for the older woman to envy one younger. And yet. How do we escape the myths into which we are born? We tell them, and show the hard work of telling.

80

Los Angeles Times by Sheri Linden

The film is an exploration of art as a way through immense and complex emotions. It is unexpectedly a breathtaking reminder of life's joys — in nature, in friendship and, in a particularly buoyant scene, in the bark of a deceased friend's poodle.

80

The New York Times by Stephen Holden

As much as the film is shadowed by a keen awareness of mortality, One Cut, One Life often pulses with an almost ecstatic vitality. In its vision of human existence, life is as messy and unpredictable as it is precious.

75

Slant Magazine by Wes Greene

The doc emerges not so much as a glimpse into the mind of a dying artist than as a factual drama on how loved ones are impacted by an individual's death.

70

The Hollywood Reporter by Frank Scheck

It's undeniably moving at times.

60

Variety by Ronnie Scheib

Unlike more generally philosophical, life-affirming autobiographical docus about dying, “One Cut, One Life” rehashes old problems and tries to resolve multiple unresolved issues already exposed in previous films, proving as exasperating as it is weirdly compelling.