The New Yorker by Richard Brody

An extraordinary new film, “The Fishing Place,” by the veteran American independent filmmaker Rob Tregenza, confronts the Nazi onslaught during the Second World War by means of a daring aesthetic and a refined narrative sensibility that are utterly distinctive—and with a bold twist that overtly wrenches the subject into the present tense.

Slant Magazine by Zach Lewis

Rob Tregenza is always questioning what can be accomplished with the simple building blocks of cinema.

LarsenOnFilm by Josh Larsen

The Fishing Place registers more as a calculated, intellectual exercise—particularly in the bold decision to break the fourth wall with 30 minutes left in the film and remain there, again via a single take.

Film Threat by Christophe Bilien

Despite the aforementioned shortcomings, the qualities of The Fishing Place far outweigh them, making Tregenza’s film a fine work of art for the curious to explore.

The New York Times by Manohla Dargis

Tregenza is the kind of authentic independent who’s always worth seeking out; when he is behind the camera, he holds you rapt from the get-go.