Variety by Owen Gleiberman
Moverman balances the potential for staginess with his flowing cinematic bravura; he keeps surprising you, and he gives the drama a dash of poison elegance.
User Rating
Director
Manuel Gómez Pereira
Cast
Mario Casas,
Alberto San Juan,
Asier Etxeandia,
Nora Hernández,
Óscar Lasarte,
Martín Páez,
Elvira Mínguez,
Carlos Serrano,
Carmen Balagué,
Eva Ugarte
Genre
Comedy,
History
Spain, April 15, 1939. With the Civil War concluded, and with the intention of celebrating his victory, General Franco attends a dinner with his generals at the Palace Hotel.
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Variety by Owen Gleiberman
Moverman balances the potential for staginess with his flowing cinematic bravura; he keeps surprising you, and he gives the drama a dash of poison elegance.
Rolling Stone by Peter Travers
There are bumps along the way, transitions from one medium to another will do that, but this filmmaker and his fierce foursome won't be done till they take a piece out of you. It's a gripping psychological thriller with a sting in its tail.
Movie Nation by Roger Moore
I love the way the film sets us up with “types” — ambitious, narcissistic politico, “trophy” wife, loyal spouse, doting dad — and thoroughly upends them time and again.
The Playlist by Jessica Kiang
This is a film that glories in juxtaposition, as exchanges of bestial ferocity hiss back and forth in an excruciatingly elegant destination restaurant, and as poisonously feral barbs are traded across a table laden with elaborately effete hors d’oeuvres.
Austin Chronicle by Josh Kupecki
The quartet of actors are all high-caliber pros, and the performances are marvelous, especially Linney, whose Claire hides depths of self-deception.
Chicago Sun-Times by Richard Roeper
As you might expect from this cast, all four leads are simply outstanding.
The Seattle Times by Moira Macdonald
The film’s strength is its cast, and each of them finds moments of truth.
Los Angeles Times by Justin Chang
For all the actors’ commitment and ferocity, the experience they offer feels less like a confrontation with the anxieties of modern life than a plush, moody escape.
Arizona Republic by Bill Goodykoontz
There are moments in The Dinner, Oren Moverman’s tense drama based on the Herman Koch novel, in which you sit back and watch four terrific actors go at it. There just aren’t enough of them.
TheWrap by Ben Croll
At once a darkly comic social satire, a pitch-black moral thriller and an earnest plea to recognize mental illness, The Dinner is a seven-layer dip overflowing with compelling individual ingredients that, when mixed together, make the finished dish awfully difficult to digest.
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