Chimes at Midnight | Telescope Film
Chimes at Midnight

Chimes at Midnight (Campanadas a medianoche)

Critic Rating

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John Falstaff is one of Shakespeare’s most complex and overlooked characters. He is the funny, loyal, and often drunk companion of King Henry IV’s son, Prince Hal. Here he takes center stage in one of Orson Welles’s greatest films, a superlative which makes it also one of the greatest films of all time.

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What are critics saying?

100

The Guardian by Peter Bradshaw

Playing Falstaff might have been Welles’s creative and physical destiny: in the character he found a dignity and sensuality in his, by then, overweight form. The confidence and panache of his staging is a treat.

100

Entertainment Weekly by Chris Nashawaty

It’s a feast for the ears, eyes, and soul.

100

Christian Science Monitor by Peter Rainer

It is quite likely the greatest Shakespearean film ever and, except for Citizen Kane and The Magnificent Ambersons, it’s also Welles’s greatest film – which is saying something.

100

Chicago Tribune by Michael Phillips

Chimes at Midnight is one of Welles' peak achievements. Its depth of feeling seems very real, very deep indeed.

100

Chicago Sun-Times by Roger Ebert

A masterpiece.

100

Chicago Reader by Dave Kehr

The one Welles film that deserves to be called lovely; there is also a rising tide of opinion that proclaims it his masterpiece.

100

Arizona Republic by Bill Goodykoontz

It's powerful stuff.

100

The A.V. Club by Ignatiy Vishnevetsky

The best and most touchingly personal of all Shakespeare adaptations, Chimes At Midnight is pervaded by melancholy and loneliness, even though its characters are almost seen never alone.

100

Slant Magazine by Chuck Bowen

Welles is at the height of his powers while reveling in the poetic force of Falstaff’s weakness.

100

Time Out by Staff (Not Credited)

Most of all, Chimes at Midnight is gorgeously, heartbreakingly sad, shot through with romantic surrender and the ache of loss.

85

NPR by Bob Mondello

Sprawling, and hugely ambitious, and containing a glorious Wellesian Falstaff who is as majestic in folly as he is in girth.

30

The New York Times by Bosley Crowther

A confusing patchwork of scenes and characters.