Film Threat

Gavin Rothery understands that filmmaking is a visual medium. The story of Archive is told through pictures as much as dialogue. In some of the most effective and integral scenes, no one is talking. Archive is an old story told well.

Film Threat by Enrique Acosta

Gavin Rothery understands that filmmaking is a visual medium. The story of Archive is told through pictures as much as dialogue. In some of the most effective and integral scenes, no one is talking. Archive is an old story told well.

Polygon by Tasha Robinson

It’s highly competent throughout, and outright brilliant at times, but it lacks the necessary level of connection with the real world. And by the end, it’s lost track even of its own hard-earned but fragile sense of emotion.

The Hollywood Reporter by John DeFore

The feature writing/directing debut for a man whose history is in art departments, it should be no surprise that the pic looks wonderful, with distinctive design and lush settings; but Rothery also fares well with the human element, helped by a mature lead performance by Theo James, best known for the YA Divergent franchise.

RogerEbert.com by Monica Castillo

Archive is a somewhat unwieldy sci-fi thriller to get into. The plot twists are many, and so are the cliches.

Movie Nation by Roger Moore

Put these elements together with some solid acting by James and a touching turn by the Parisian Martin, and Archive becomes a genre film that, if it doesn’t transcend the sum of its parts, at least has the parts to let us buy in and enjoy the story that it’s telling, derivative as it is.

Variety by Guy Lodge

The sleek result, like the scientist’s hi-tech Frankenstein creation, impressively looks and sounds the part, without quite having a soul of its own. That’s enough to make Archive a compelling calling card for the British freshman, with the promise of more advanced models to come.