Get Duked! | Telescope Film
Get Duked!

Get Duked!

Critic Rating

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User Rating

Four boys attempt to earn the Duke of Edinburgh award by navigating their way through the Scottish Highlands. The wilderness trek goes awry when the boys become the target of a mysterious masked man and his cronies.

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What are users saying?

Zoe Rogan

A very funny black comedy that also works as a satire of British aristocracy. Director Ninian Doff's background as a music video director is apparent, but this is not a bad thing. The scenes set to music are not only visually appealing but also well incorporated into the narrative.

What are critics saying?

100

The Playlist by Joe Blessing

“Boyz in the Wood” is a jolt of irreverent fun that wants you to laugh at the stupid and depraved behavior of teenage boys but also to know that at the end of the day, the kids will be all right.

100

Film Threat by Bobby LePire

Doff balances tones amazingly and directs visually striking scenes with gusto and confidence. His writing subverts expectations while remembering to be a story about humans, all the while being an exciting, nonstop laugh riot. All that makes the film more than worth watching. Then you add this truly outstanding cast who effortlessly embody their characters, and you have nothing short of a masterpiece.

90

Variety by Peter Debruge

That kind of all-around ineptitude puts the Get Duked! ensemble in the company of such classic Zucker and Abrahams movies as “Airplane” and “The Naked Gun,” and should appeal to lovers of old-fashioned lowbrow farce, provided they’re willing to accept a few lame hip-hop references.

90

Paste Magazine by Oktay Ege Kozak

Wacky, smart, engaging and exciting, Get Duked! represents the next step in the Wright/Cornish school of 21st Century British comedy.

88

ReelViews by James Berardinelli

By mixing slapstick humor, outright silliness, and a psychedelic edge, Doff trades tension for laughs. He also has a political point to make about class divisions and the haves-and-have-nots.

85

Slashfilm by Matt Donato

Boyz In The Wood is the hippest, wildest, most energetic genre blowout to come from the UK since Attack The Block.

80

We Got This Covered by Luke Parker

Doff’s directorial debut bursts off the screen with eccentric energy and yet, retains a relentless sense of duty to the company its characters keep. It’s effectively touching as a display of camaraderie, equally ridiculous, and a great deal of fun.

80

Empire by Ian Freer

Get Duked channels both Trainspotting and Deliverance to create a scattershot shotgun-blast of gags, gore and bedlam. Winningly performed by its young cast, it’s a (laminated) calling card for director Ninian Doff.

78

Austin Chronicle by Richard Whittaker

So even though Get Duked! is a slapstick, rap-fueled horror comedy about a bunch of Scottish inner-city kids being hunted in the glens by a pair of rich snobs disguised as the Queen and the Duke of Edinburgh, you could slap a "Filmed at Ealing Studios" card at the end, and you'd know exactly what to expect.

75

The Film Stage by Jared Mobarak

Doff may have thrown in a kitchen sink of clichés, but he knows exactly how to marry them together. The result is an endearingly uproarious affair.

70

Arizona Republic by Bill Goodykoontz

If you’re up for an absurdist comedy-horror take on “The Most Dangerous Game” that involves murder, bad hip-hop and hallucinogenic rabbit poop, Get Duked! is the movie for you.

63

Slant Magazine by Derek Smith

A taut genre exercise that delivers enough surprises and cleverly timed bits of humor for its sometimes familiar, uneven narrative beats to play an original tune.

60

The Guardian by Peter Bradshaw

Boyz in the Wood isn’t perfect (there isn’t really a wood in it as such and the title is a bit strained), but there’s likable wackiness and weirdness, one or two sizable laughs and a very bizarre deus ex machina moment.

60

CineVue by Jamie Neish

Doff, who acts as both writer and director, establishes an offbeat, ridiculous tone from the start that solidifies itself with visual humour and sharp dialogue that pay off in riches further down the line.

50

The Hollywood Reporter by John DeFore

A too-familiar vibe hangs over much of the film, whose comic violence is nothing new and whose banter underwhelms, but the pic gets more fun as it goes, especially after an unlikely hallucinogen makes its entrance.