Variety by Peter Debruge

Entertaining, though conventionally told war story.

New York Daily News by Elizabeth Weitzman

The script relies on too many unlikely twists, but Bleibtreu manages to sell them all.

The A.V. Club by Noel Murray

The result is a movie largely devoid of attitude or suspense. My Best Enemy is brisk and eventful, but after a while, it begins to seem like Murnberger is rushing through this material, afraid to dwell too long on any one situation, lest it tip too far into exploitation.

Slant Magazine by Andrew Schenker

This twist-heavy World War II drama would play as an absurdist comedy if the director wasn't so dead set on excluding just about any trace of humor from his self-serious project.

Village Voice

Getting even is wearying in My Best Enemy, a banal World War II thriller dependent on contrived role reversals.

The New York Times by Jeannette Catsoulis

An awkward blend of anti-Semitic atrocities and identity-swapping absurdity, the World War II drama My Best Enemy struggles to find a convincing tone.

The Hollywood Reporter

Trying to be amusing and respectfully serious at the same time, Austrian director Wolfgang Murnberger's film remains in limbo, saddled with an over-worked story, characters and setting.

Time Out by Joshua Rothkopf

My Best Enemy bleeds suspense like a pin-pricked tire. It wants to be clever, but survivor tales bring with them too much muck.

New York Post by Farran Smith Nehme

The director has cited "Inglourious Basterds" as paving the way for his own movie; but for all his boldness, Quentin Tarantino avoided the camps altogether. My Best Enemy shows the camps only briefly, but once it does, it becomes both too much, and not enough. Once you see even a long shot of such a place, the impulse to find humor in much of anything is gone.