Critic Rating
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Director
Werner Herzog
Cast
Klaus Kinski,
King Ampaw,
José Lewgoy,
Salvatore Basile,
Peter Berling,
Guillermo Coronel
Genre
Adventure,
Drama
Violent bandit Cobra Verde is hired by a sugar plantation owner to supervise his hundreds of enslaved workers. When he turns out to be more raucous and unpredictable than the plantation owner bargained for, Verde is exiled to West Africa, where he is expected to reopen the slave trade with Brazil. There, he fights to overthrow a monarch and install himself as king.
The New Republic by Stanley Kauffmann
It is too weak to say that Herzog disregards conventions of narrative structure and editing: he is there to punish us for attending his film and to make us enjoy it. Other directors have at times made masochists of us: Herzog excels at this, and he doesn't often do it more stunningly than in Cobra Verde.
TV Guide Magazine by Maitland McDonagh
Linear storytelling was never Herzog's strong suit even under the best of conditions. His strength lies in capturing lucid lunacy on film, and Manoel da Silva's descent into the jaws of madness is a straight shot into the heart of darkness, a place familiar to both Herzog and Kinski.
The New York Times by A.O. Scott
Connoisseurs of craziness need wait no longer. Cobra Verde opens today in all its feral, baffling glory. Along with "Aguirre" and "Fitzcarraldo," Cobra Verde completes a trilogy of mayhem and megalomania in hot climates.
Village Voice
It's easy to understand why this was Herzog's final collaboration with the actor (reportedly the director afterward claimed that Kinski had "become uncontrollable") but Kinski's performance nevertheless serves up a potent confusion of documentary and fiction that has long been an essential element of Herzog's filmmaking.
Chicago Reader by J.R. Jones
Verde is too blankly amoral to sustain interest, but the film has isolated moments of haunting poetry.
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