Rollerball | Telescope Film
Rollerball

Rollerball

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In a dark, dystopian future where corporations rule the world, a violent sport called Rollerball is used to control the masses. Jonathan E. is one of many prominent Rollerball athletes being exploited and used as a corporate pawn. When executives try and force Jonathan out of the league, he must fight for his freedom.

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What are critics saying?

90

IGN

One of the most forward looking science fiction tales of the 70's.

90

IGN by Rick Sanchez

One of the most forward looking science fiction tales of the 70's.

80

Variety

Norman Jewison's sensational futuristic drama about a world of Corporate States stars James Caan in an excellent performance as a famed athlete who fights for his identity and free will.

80

CineVue by John Bleasdale

With a fantastic stunt team, a gamely macho star and some wonderful editing, Rollerball is so convincing, urban legend had it there were fatalities during the shoot.

80

Variety by Staff (Not Credited)

Norman Jewison's sensational futuristic drama about a world of Corporate States stars James Caan in an excellent performance as a famed athlete who fights for his identity and free will.

75

TV Guide Magazine

The performances of Caan and Richardson are excellent, and the rollerball sequences are fast-paced and interesting.

75

Slant Magazine

Director Norman Jewison’s Rollerball remains a poignant and unusually prescient vision of our world as defined by Walmart and Exxon-Mobil.

75

TV Guide Magazine by Staff (Not Credited)

The performances of Caan and Richardson are excellent, and the rollerball sequences are fast-paced and interesting.

75

Slant Magazine

Director Norman Jewison’s Rollerball remains a poignant and unusually prescient vision of our world as defined by Walmart and Exxon-Mobil.

70

Rolling Stone

The skate-rink action, which culminates in an apocalyptic death match, remains rabble-rousingly brutal.

70

Rolling Stone by Eric Hynes

The skate-rink action, which culminates in an apocalyptic death match, remains rabble-rousingly brutal.

60

Time Out

Ultimately, Rollerball gets by on its sheer monolithic quality - an abundance of quantity. Despite indifferent direction and dire humour, it is well mounted and photographed.

60

Time Out by Staff (Not Credited)

Ultimately, Rollerball gets by on its sheer monolithic quality - an abundance of quantity. Despite indifferent direction and dire humour, it is well mounted and photographed.

50

Newsweek

Rollerball isn't a movie; it's a protest demonstration - producer-director Norman Jewison's feeble complaint about both the increasing brutality in professional sports and the increasing sterility of modern life. Trendy concerns, sure enough, but the movie's only contribution could well be the introduction of its brutal, eponymous game to an already sport-surfeited society. [07 July 1975, p.56]

50

Los Angeles Times by Michael Wilmington

It's got the smoothest, glossiest finish imaginable, but something inside it doesn't jell. [15 July 1988, p.26]

50

Newsweek by Arthur Cooper

Rollerball isn't a movie; it's a protest demonstration - producer-director Norman Jewison's feeble complaint about both the increasing brutality in professional sports and the increasing sterility of modern life. Trendy concerns, sure enough, but the movie's only contribution could well be the introduction of its brutal, eponymous game to an already sport-surfeited society. [07 July 1975, p.56]

40

The New York Times

It's not funny at all and, not being funny, it becomes, instead, frivolous.

40

The New York Times by Staff (Not Credited)

It's not funny at all and, not being funny, it becomes, instead, frivolous.