Miami Herald by Bill Cosford

This is a movie that didn't have to be well made --its emotional impact has been assured by the daily news. But Jaffe took care. He made a solid Hollywood movie of a story that is terribly sad. He plays the heartstrings like a virtuoso, and that's not always a bad thing. [07 Feb 1983, p.C6]

The Associated Press by Bob Thomas

As producer of Goodbye Columbus and Kramer vs. Kramer, Stanley Jaffe has proved his understanding of human relationships. As a first-time director, he seems overly attentive to everyday detail. But he handles his actors with skill, evoking a beautifully sustained performance from Kate Nelligan as the mother who would not abandon hope. [07 Feb 1983]

Newsweek by Jack Kroll

What makes Without a Trace important is the powerful, intelligent, seismic-sensitive performance of Kate Nelligan as Alex's mother. Nelligan literally creates the film's real theme -- the nightmare emotional world the victims of such crimes are plunged into. [07 Feb 1983, p.69]

The New York Times by Janet Maslin

Taken on its own terms, Without a Trace is a reasonably well made film, and it's certainly slick enough to hold an audience's attention. But its own terms are very, very limited.

Christian Science Monitor by Staff (Not Credited)

A schematic, often contrived look at an important subject. [17 Feb 1983, p.19]

Washington Post by Gary Arnold

Without a Trace provides little sustenance. It keeps serving up overprepared tidbits of torment when you'd prefer to get down to a main course. [04 Feb 1983, p.C4]

TV Guide Magazine by Staff (Not Credited)

The story is told with uncharacteristic restraint and benefits from fine performances by Nelligan and Hirsch.

Time Out by Staff (Not Credited)

If Jaffe's previous production credits aren't sufficient warning that this is one for Sensitive Drama suckers, the opening shot's a giveaway.