Chicago Tribune by Michael Wilmington
Kaufman's startling Quills gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.
Critic Rating
(read reviews)User Rating
Director
Philip Kaufman
Cast
Geoffrey Rush,
Kate Winslet,
Joaquin Phoenix,
Michael Caine,
Billie Whitelaw,
Patrick Malahide
Genre
Drama
Marquis de Sade, a controversial writer in 18th century France, is confined to a madhouse, but his charm seduces some of the women who work at the asylum. However, their deviant actions threaten to bring the wrath of the French Crown down on them all when its discovered Marquis' works are still being published.
Chicago Tribune by Michael Wilmington
Kaufman's startling Quills gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.
Washington Post by Stephen Hunter
Profane, sacrilegious, pornographic, sadistic and Sade-istic, titillating and the most honorable movie of the year.
Rolling Stone by Peter Travers
A savage comedy of sexual extremes; the barbed laughs draw blood.
Salon by Stephanie Zacharek
It's an unapologetic dazzler, which is why it's never overwhelmed by its themes.
USA Today by Mike Clark
Uniformly robust acting puts still more feathers in the caps of Rush, Winslet and Caine.
Chicago Sun-Times by Roger Ebert
Finds a tone that remains more entertaining than depressing, more absorbing than alarming.
Boston Globe by Jay Carr
A witty yet fiery and, in the best sense, provocative play of ideas about freedom of expression.
Miami Herald by René Rodríguez
This playful, immensely entertaining movie knows that art is in the eye of the beholder.
Film.com by Peter Brunette
The dialogue is sparkingly witty, and Phoenix and Winslet are excellent in what are, after all, meant to be fairly one-dimensional roles.
Village Voice by J. Hoberman
Kaufman's earnestly overblown celebration of the Marquis de Sade.
The New York Times by A.O. Scott
Occasionally becomes pretentious and shrill -- sometimes Mr. Wright isn't aware that his material is so good that he doesn't need to comment on his characters.
San Francisco Chronicle by Peter Stack
Rush is amazing throughout this absorbing, provocative film.
Washington Post by Desson Thomson
Rush is too sinfully good for the drama he's in.
Entertainment Weekly by Owen Gleiberman
Quills bleaches the danger -- and fascination -- out of De Sade, turning him into a kind of mad saint of ''Masterpiece Theatre'' porn.
New York Post by Jonathan Foreman
Resembles a period version of "The Rocky Horror Picture Show" - played dead straight.
Los Angeles Times by Kenneth Turan
Soon becomes a sadistic experience in its own right. Experiencing this pretentious wallow -- overwritten, under-thought and overdone -- is a very sophisticated form of torture.
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