Blinded by the Light | Telescope Film
Blinded by the Light

Blinded by the Light

Critic Rating

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In 1987, during the austere days of Thatcher’s Britain, a Pakistani teenager discovers the music of Bruce Springsteen. Through the music of The Boss, Javad is able to escape the pressure of a workaholic father and the threats of local racist skinheads to find his own voice.

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What are critics saying?

91

The Playlist by Jordan Ruimy

This is one of the most joyous and exhilarating movies you will see this year and because there is so much passion flowing out from the music, screenplay, and acting, you totally forgive the film when it strays into the predictable and even a little bit of corniness.

90

Variety by Owen Gleiberman

It’s the sort of unguarded drama they used to make in the ‘80s — a coming-of-age tale of unabashed earnestness — but it’s also a delirious and romantic rock ‘n’ roll parable.

90

Uproxx by Mike Ryan

Blinded by the Light features scenes of the most pure, unadulterated joy I’ve seen on screen in quite a while.

90

TheWrap by Steve Pond

Blinded by the Light is corny, silly, as overblown as one of Springsteen’s grandest anthems and damn near irresistible.

88

RogerEbert.com by Sheila O'Malley

Blinded by the Light, at its very best, captures the experience of being a fan, the pure exhilaration of it, and the sense of your vision opening out to vistas beyond your horizon.

88

Washington Post by Ann Hornaday

Warm, funny, humane and deeply sincere, this ode to Bruce Springsteen, breaking free and belonging isn’t content merely to revel in Springsteen’s greatest hits — although it does, with vibrant, vicarious exhilaration. It delves into the singular power of music, and by extension art itself, to make its audience feel comprehended.

88

USA Today by Brian Truitt

In one of the movie's most memorable scenes, Javed and his activist love interest Eliza (Nell Williams) embark on a glorious, mischievous romp out of school and through Luton, singing “Born to Run” and dancing with literally everyone who’ll join them.

83

IndieWire by David Ehrlich

If you have even the slightest emotional connection to Springsteen’s music — if you’ve ever found salvation in a rock song, or desperately wished that you could change your clothes, your hair, your face — this giddy steamroller of a movie is going to flatten you whether you like it or not.

83

Entertainment Weekly by Leah Greenblatt

Love, faith, Springsteen; that and a Sony Walkman are all it takes to surrender to the pure, ingenuous joy of Blinded by the Light, a Technicolor ode to the power of music so deeply tender and heartfelt that it disarms even the most misanthropic critic’s instincts.

83

Consequence by Clint Worthington

As a crowd-pleasing, emotionally gripping joyride about the ways in which music can change our lives, it’s one to see, and more than once.

80

Film Threat by Anthony Ray Bench

This is a feel-good movie that tackles a bunch of tough topics, from politics, race, family traditions, social frustrations, and romance. It never feels preachy or overly cheesy.

70

Screen International by Tim Grierson

While this flimsy coming-of-age drama over-relies on the Boss’s greatest hits for its emotional high points, this remains a likeable and touching story about finding your own voice.

70

The Hollywood Reporter by John DeFore

Light is just as faithful to formula as Bend It Like Beckham and just as reliant on its lead's likability; here, newcomer Viveik Kalra radiates enough guileless enthusiasm to carry viewers past the film's rough patches.

40

The Guardian by Benjamin Lee

There’s something so constructed and suffocating about watching a tried and tested formula not working, the over-sentimental string-pulling on show for all to see.