The Globe and Mail (Toronto) by Jay Scott

David Cronenberg's gelid masterpiece.

Washington Post by Desson Thomson

For those who enjoy cinematic visits to other, darker worlds, this blood's for you. Watching Ringers is not unlike watching a critical operation -- unnerving but also enthralling. [23 Sept 1988]

Los Angeles Times by Sheila Benson

To think of a film this assured, this unified and this dizzyingly potent, you have to go back to "Blue Velvet." [22 Sept 1988]

USA Today by Mike Clark

An instant classic, an Oscar-worthy showcase for Jeremy Irons, and a tightrope ballet over dicey screen material… A subtle movie - and thus a disturbing one. Like “Vertigo,” “The Night of the Hunter,” “Repulsion” and a few others, it finds beauty in morbidity - then nags you to come back for a second dose. [23 Sept 1988]

Entertainment Weekly by Staff (Not Credited)

A masterpiece.

TV Guide Magazine

Quietly devastating... Extremely unsettling, at times amusing, cold yet personal, Dead Ringers gradually and deliberately comes to horrify the viewer, rather than shocking outright.

The New York Times by Janet Maslin

What makes the performance(s) even better is that Mr. Irons invests these bizarre, potentially freakish characters with so much intelligence and so much real feeling.

Chicago Reader by Jonathan Rosenbaum

An astonishing tour de force--especially for Irons, whose sense of nuance is so refined that one can tell in a matter of seconds which twin he is playing in a particular scene.

The New York Times by Elvis Mitchell

What makes the performance(s) even better is that Mr. Irons invests these bizarre, potentially freakish characters with so much intelligence and so much real feeling. [23 Sept 1988, p.C10]

TV Guide Magazine by Staff (Non Credited)

Quietly devastating... Extremely unsettling, at times amusing, cold yet personal, Dead Ringers gradually and deliberately comes to horrify the viewer, rather than shocking outright.

Chicago Tribune by Dave Kehr

It's almost too rich in ideas for its own good: The sense of concentration and proportion isn't there. But it remains an astonishing, magnetic, devastating piece of work. [23 Sept 1988]

Variety

Cronenberg handles his usual fondness for gore in muted style.

Variety by Staff (Not Credited)

Cronenberg handles his usual fondness for gore in muted style.

Christian Science Monitor by David Sterritt

Is this misogyny, as some insist, or a critique of misogyny, as others say? Many moviegoers, grossed out by the film's gothic approach to medical matters, won't watch long enough to find out which is the answer. [30 Sept 1988]