Burning | Telescope Film
Burning

Burning (버닝)

Critic Rating

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User Rating

Jongsu, a quiet delivery boy and aspiring writer, is unemployed and living alone when he runs into Haemi, an eccentric girl who once lived in his neighborhood. He agrees to watch her cat while she goes to Africa, and when she returns with an enigmatic young man she befriended abroad, Jongsu's simple and solitary life is upended.

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What are users saying?

Cyrus Berger

This movie takes its time to develop its themes and characters, and gradually makes you deeply invested in its story. All the acting is great, especially Steven Yeun. The story works in themes about class without being didactic, and there's enough uncertainty to make the movie constantly interesting. It's a movie that I couldn't stop thinking about for days after I watched it.

Kelsey Thomas

BURNING is incredibly subtle in its seduction. The slow pace builds tension in the viewer, who can sense that something is not quite right but is left without a tangible reason why. Hae-mi is the film’s enigmatic empty center, and her interactions with the two love interests, complete foils of one another, drive the mystery forward.

Hannah Benson

This film is a captivating adaptation of Murakami's "Barn Burning." Steven Yeun is great and charismatic. Cool to see him do a role in Korean. The visuals are very beautiful, especially when they are sitting outside Jongsu's house with the jazz music in the background. The tone is handled really well because the film feels slightly off throughout but it is hard to understand why until the end.

Meagen Tajalle

Burning is an encompassing and enigmatic film that takes a novelistic approach to the narrative. It's nontraditional, but all the more interesting for its refusal to conform to any particular formula. No pun intended, this film is a slow burn well worth the watch.

What are critics saying?

100

Screen Daily by Tim Grierson

Once again, Lee has crafted a film of wondrous complexity and inscrutability. The more we see in Burning, the less sure we are of what we are watching.

100

Los Angeles Times by Justin Chang

Burning is a character study that morphs, with masterly patience, subtlety and nary a single wasted minute, into a teasing mystery and eventually a full-blown thriller.

100

The Telegraph by Tim Robey

This is Lee’s closest ever film to a thriller, but it defies expectations, offering multiple, murky solutions to a set of mysteries at once.

100

Screen International by Tim Grierson

Once again, Lee has crafted a film of wondrous complexity and inscrutability. The more we see in Burning, the less sure we are of what we are watching.

100

Wall Street Journal by Joe Morgenstern

The whole film feels magical in the way it gets at intangible, invisible, ineffable things without naming them, and tells a gripping story of obsession at a poet’s pace, without need of conventional explanations.

100

RogerEbert.com by Sheila O'Malley

It's a great film, engrossing, suspenseful, and strange.

100

The New York Times by Manohla Dargis

While each event expands the narrative — filling in the larger picture with nods at sexual relations, class divisions and a riven people — they don’t necessarily explain what happens or answer the fundamental question that burns through this brilliant movie.

100

Slate by Inkoo Kang

As Burning unfolds, it reveals new thematic layers until the film brims with allegorical potential.

100

Film Threat by Malik Adan

Like a brooding nightmare, Burning washes over audiences with passing visions of multiple lives, secrets and betrayals, all leading to no single, clean-cut or simple explanation.

100

The Playlist by Jordan Ruimy

Simmering with ambiguity, Burning plays its staging, writing, dialogue, acting, music, everything with carefully calibrated minimalism, but in turn it makes some grandiose statements. An unrecognizable murder-mystery Burning torches genre clichés and leaves a lasting, scorching blister.

91

The A.V. Club by A.A. Dowd

Burning simmers. For nearly two-and-a-half perfectly measured hours, it turns up the heat without boiling over: a drama becoming a thriller in slow motion, intensifying little by little minute by minute, until finally it reaches a shocking, powerful crescendo.

91

IndieWire by Eric Kohn

Burning keeps twisting back on itself, charting the path of a man waking up to the world, only to find that it won’t stop messing with him.

90

Variety by Peter Debruge

The degree to which Burning succeeds will depend largely on one’s capacity to identify with the unspoken but strongly conveyed sense of jealousy and frustration its lower-class protagonist feels, coupled with a need to impose some sense of order on events beyond our control.

90

The Hollywood Reporter by Todd McCarthy

This is a beautifully crafted film loaded with glancing insights and observations into an understated triangular relationship, one rife with subtle perceptions about class privilege, reverberating family legacies, creative confidence, self-invention, sexual jealousy, justice and revenge.

83

The Film Stage by Rory O'Connor

Burning might not have a huge amount going on below its gorgeous surface, but it drags the viewer along with all the seductive intrigue of a frothy page-turner.

80

The Guardian by Peter Bradshaw

This is a gripping nightmare.

70

New York Magazine (Vulture) by Emily Yoshida

There is so much fascinating, underplayed tension running through Burning.... I was a little let down, then, when Burning lost its steam in its second half.