Murderous Maids | Telescope Film
Murderous Maids

Murderous Maids (Les Blessures assassines)

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Christine and Léa Papin are sisters with an already troubled past. Madame Lancelin takes them into her home and employs the girls as maids. But their wretched background — an indifferent mother and drunken, abusive father — casts a shadow over the girls and over time their ill-fated situation darkens. The sisters withdraw into themselves and finish by committing the worst — killing Madame Lancelin and her daughter after six years of service, on the 2 February 1933 in Le Mans.

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What are critics saying?

90

Washington Post by Stephen Hunter

The movie avoids sensationalism. What it requires and what it delivers is performance.

90

Los Angeles Times by Kevin Thomas

Denis and Testud, in a wondrous collaboration of a gifted director and equally gifted actress, succeed in making Christine a tragic figure.

90

Washington Post by Michael O'Sullivan

Troubling and powerful film, lingering on screen well into the final credits and in the minds of its audience long after the house lights have come on.

90

L.A. Weekly by Manohla Dargis

A true rarity, Murderous Maids is an intelligent, moral shocker.

90

Village Voice by J. Hoberman

Genuinely unnerving movie.

80

New York Magazine (Vulture) by Peter Rainer

Sylvie Testud gives such a ferociously controlled performance that the messy murder seems like a necessary release.

80

New Times (L.A.) by Jean Oppenheimer

The film proves unrelentingly grim -- and equally engrossing.

80

TV Guide Magazine by Ken Fox

Nearly 75 years after the fact, the matter still hasn't given up all its secrets, but Denis' film comes close to a definitive, deeply disturbing account.

80

The A.V. Club by Keith Phipps

Doesn't shy away from the social or psychological explanations of the Le Mans murders, but never comes down on one side or another.

80

The New York Times by Dana Stevens

Ms. Testud's performance, which earned her a César, the French Oscar, for most promising actress, is the source of the movie's lingering, troubling power.

75

Philadelphia Inquirer by Carrie Rickey

Director Jean-Pierre Denis doesn't explore psychological motives, which are, finally, unknowable. What he accomplishes in his chilling, unnerving film is a double portrait of two young women whose lives were as claustrophic, suffocating and chilly as the attics to which they were inevitably consigned.

75

Boston Globe

May ultimately be no more than the sum of its (body) parts, but it's still a ghastly service-industry horror story - a film to make you wonder what might be roiling beneath the surface of the placid young woman who hands you your Grande Latte every morning.

75

San Francisco Chronicle by Mick LaSalle

The old saying, "It's hard to find good help nowadays" takes on a new meaning in Murderous Maids.

70

Chicago Reader by Fred Camper

Julie-Marie Parmentier is fetching as the vulnerable younger sister, and the duo generate considerable erotic tension; unfortunately Denis' detached and indifferent camera never gets inside the story, its characters, or its milieu.