The Hollywood Reporter by Sheri Linden

Working in an improvisatory vein, in actual locations rather than constructed sets, writer-director Dominic Savage gives this story of a married woman's despair and awakening a powerful, lived-in immediacy. It's also the story of a man's struggle to understand his wife's pain, and the tortured, tender chemistry between leads Arterton and Dominic Cooper is profoundly affecting, at times shattering.

The New York Times by Jeannette Catsoulis

Subtle and slow and wrenchingly empathetic, The Escape is about gradually realizing that the life you have may not be the one you want.

Screen Daily by Wendy Ide

Savage’s success at getting under the skin of the kind of cancerous depression which gnaws away at the soul means that this is not always the easiest watch. There are no audience-appeasing neat happy endings, just raw emotional wounds and aching compromises. But, despite a low key approach, this is a compelling, sometimes wrenching drama.

Empire by Ian Freer

A kind of Ken Loach does Shirley Valentine, The Escape is not a comfortable watch. But it is a rewarding one, thanks to Dominic Savage’s forensic investigation of a disintegrating marriage and career-best work by Gemma Arterton.

Screen International by Wendy Ide

Savage’s success at getting under the skin of the kind of cancerous depression which gnaws away at the soul means that this is not always the easiest watch. There are no audience-appeasing neat happy endings, just raw emotional wounds and aching compromises. But, despite a low key approach, this is a compelling, sometimes wrenching drama.

The Guardian by Peter Bradshaw

A superlative performance from Gemma Arterton is at the centre of this almost unbearably painful and sad film from writer-director Dominic Savage.

The Observer (UK) by Wendy Ide

The result is the kind of stinging emotional candour that makes you wince.

CineVue by Zoe Margolis

With some subtle commentary on class, as well as gender politics, The Escape is an impressive portrayal of existential angst and the disintegration of self, and Arterton’s performance is breathtaking.

Entertainment Weekly by Leah Greenblatt

Its title sounds like the premise for some kind of high-adrenaline adventure about maze-running or outgunning a nuclear apocalypse. But The Escape is both less thrilling and much scarier, in its own way — a quiet domestic-drama chamber piece with a vein of pure desperation thrumming beneath it.

Slant Magazine by Josh Wise

It deals with a very ordinary emergency with deftness of touch, and the power of a singular performance.

Variety by Guy Lodge

Savage’s film thoughtfully and credibly outlines the conflict between a superficially abundant lifestyle and overwhelming internal lack. It’s on less sure footing with the morally fraught wish-fulfilment of its second half, though Arterton’s quiet, consistent emotional conviction pulls matters through.

Los Angeles Times by Gary Goldstein

Thanks to Savage's immersive, often improvisational approach and a compellingly raw, internal turn by Arterton ("Gemma Bovery," "Their Finest") as an everyday woman who seemingly has it all... Tara's claustrophobic world and increasingly checked-out mindset feel undeniably authentic. It's also all a bit grueling to watch.

Movie Nation by Roger Moore

A sturdy melodrama, more enjoyable for its performances than from its aged, time-tested and formulaic plot.

RogerEbert.com by Glenn Kenny

Within about a half hour, what seemed at first banal is in fact oppressive. With deliberate pacing, minimal dialogue, and solid acting from the leads, the movie makes its point felt about marriage.