Zoo | Telescope Film
Zoo

Zoo

User Rating

During the Belfast Blitz of 1941, an awkward teenage and a lonely widow steal Buster the baby elephant from the city zoo after learning he may be euthanized by the government. They hide him in their row house in order to keep him safe. Based on a true story.

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What are critics saying?

100

TV Guide Magazine by Ken Fox

Bold and unforgettable meditation on a truly bizarre incident that pokes at the very heart of one of our culture's biggest taboos.

90

Village Voice by Nathan Lee

The beautiful and beguiling new film by Robinson Devor meditates on the Enumclaw incident through a hypnotic blend of original reporting, staged reenactment, testimony of involved parties (both zoophiles and local law enforcement), and pervasive, somewhat precious lyricism.

90

Variety by Scott Foundas

A breathtakingly original nonfiction work by Seattle-based filmmaker Robinson Devor (whose "Police Beat" was among the highlights of Sundance's 2005 dramatic competition).

83

Portland Oregonian by Shawn Levy

The result is an immersive experience that never forgets the basic facts of the story but attempts with a level head and open mind to understand how in the world it might happen.

80

The Hollywood Reporter by Kirk Honeycutt

Whether meaning to or not, Devor and his accomplished crew expand our concept of the documentary film, which relegates this documentary to art houses, not porn theaters.

75

San Francisco Chronicle by Neva Chonin

Compelling.

75

Boston Globe by Wesley Morris

Devor's sympathy for both the men and the animals is humane, yet his movie is palpably sad. A sense of shame cuts through all the ambiguity. You know less about what you've watched when Zoo is over than you did when it started. And that's what makes the movie so hard to shake.

75

Seattle Post-Intelligencer by Gianni Truzzi

The surprise of this locally produced, stylized documentary is that it could leave you wishing it had told a little bit more.

70

Slate by Dana Stevens

It would have been easy to focus on the eroticism of horses, who, let's face it, are beautiful creatures to look at even for the nonzoophilically inclined, but Devor shows the animals only sparingly. For him, what's most interesting is what the horses represent to the men who (gulp) love them: the wildness and purity of nature itself.

70

Salon by Andrew O'Hehir

Quiet, sensitive, resolutely unsensational documentary about virtually the most sensational subject you can imagine.