Los Angeles Times by Michael Rechtshaffen

Beautifully performed and penetratingly photographed, Jalilvand’s assured second feature bears the probing precision of one of those meticulous autopsies.

RogerEbert.com by Godfrey Cheshire

As in Farhadi’s films, the success of this kind of drama depends not on its thematic depth but on its surface execution. And every aspect of the execution on display here posits Jalilvand as among Iran’s most assured directors to have emerged in this decade.

Village Voice by Craig D. Lindsey

No Date, No Signature presents a story of flawed but generally decent people trying to put right what went so horribly wrong.

The New York Times by Ben Kenigsberg

A tad overdetermined in its studied, snowballing ambiguities, No Date, No Signature is dramatized with an acute sense of the role of class in Iranian society, and is unfussily well directed, creating visual parallels between the two men.

Variety by Jay Weissberg

All four main actors are in top form, but it’s Mohammadzadeh who steals the show in his scene at the poultry plant, when his desperate monologue takes on an epic, Shakespearean quality as he throws all his physical force into a verbal storm of pained outrage.

The Hollywood Reporter by Deborah Young

Lensed with great sensitivity and style and superbly acted, it has one drawback for Western audiences in its perplexing plot points based on the local culture and customs.

Film Threat by Alan Ng

Amir Agha’ee shines as the film’s lead. His portrayal of grief and guilt is heartfelt and his emotional performance is perfect.

Slant Magazine by Chuck Bowen

Vahid Jalilvand's film is so worked out that you know that every nuance is pointed and intentional.