The New York Times by Mike Hale

A sad and engrossing look at a haunted landscape.

NPR by Ian Buckwalter

Ultimately, in a film that highlights the physical barriers - walls, roadblocks, armed guards - that keep Palestinians where the Israelis want them, the film's biggest barrier is the one Jacir erects between Soraya and the viewer.

Village Voice by Ella Taylor

Annemarie Jacir, who was raised in Saudi Arabia, directs with flair and loving attention to the wild, damaged beauty of the contested landscape. But Soraya's rebellious bursts of rage come off more like the tantrums of a spoiled princess than the legitimate anger of an emerging activist.

The Hollywood Reporter

Depressingly one-note, a story that never springs to life.

Time Out by Eric Hynes

Impassioned, but wearisomely didactic, diaspora drama.

The Hollywood Reporter by Deborah Young

Depressingly one-note, a story that never springs to life.

Variety

That the taste of Annemarie Jacir's feature debut should be bitter is completely understandable given the untenable Palestinian situation, but the heavy-handed, excessively didactic script plays like a primer for people only vaguely aware of the issues while overly confirmed in their righteousness.

Variety by Jay Weissberg

That the taste of Annemarie Jacir's feature debut should be bitter is completely understandable given the untenable Palestinian situation, but the heavy-handed, excessively didactic script plays like a primer for people only vaguely aware of the issues while overly confirmed in their righteousness.

New York Daily News by Elizabeth Weitzman

Both written and played in broad strokes, each character quickly devolves into the most simplistic of symbols. The results comes across more as an agenda than art.