The Film Stage by Jared Mobarak

There’s no better way to show these power dynamics than via long takes. By letting the events play out, Hania refuses to let her lead off the hook emotionally. Al Ferjani is therefore thrown into the fire, her Mariam an exposed nerve reacting on impulse to everything that occurs.

Screen Daily by Wendy Ide

Beauty And The Dogs is a forthright and accomplished film which deals with its controversial subject matter without flinching. Tautly plotted, it has a pace and tension which mitigates the exhausting spectacle of watching a vulnerable young woman getting bullied and browbeaten by a selection of utterly horrible men.

The New York Times by Jeannette Catsoulis

The filmmaking is so striking — and Ms. Al Ferjani so movingly, indefatigably resolute — it’s impossible not to persevere right along with her.

Screen International by Wendy Ide

Beauty And The Dogs is a forthright and accomplished film which deals with its controversial subject matter without flinching. Tautly plotted, it has a pace and tension which mitigates the exhausting spectacle of watching a vulnerable young woman getting bullied and browbeaten by a selection of utterly horrible men.

Village Voice by Kristen Yoonsoo Kim

Director Ben Hania has a rhythmic, urgent sense of filmmaking, but she makes the odd creative decision of dividing her film into nine chapters, each a single take.

The Hollywood Reporter by Boyd van Hoeij

A film that’s an emotional rollercoaster and socio-political tract rolled into one.

Washington Post

By the end, the outcome is still unclear, leaving viewers hanging. Such ambiguity might work for pure fiction, but given that there’s a real-life incident behind the story, the lack of closure is unsatisfying.

Washington Post by Vanessa H. Larson

By the end, the outcome is still unclear, leaving viewers hanging. Such ambiguity might work for pure fiction, but given that there’s a real-life incident behind the story, the lack of closure is unsatisfying.

Los Angeles Times by Sheri Linden

Chilling Kafkaesque encounters give way to portrayals of thuggish cops bordering on caricature. In distractingly blunt ways, the film emphasizes what's already powerfully clear: the monstrousness of Mariam's situation and her courage.

Variety by Jay Weissberg

Ben Hania’s decision to divide the film into 9 chapters, each seemingly orchestrated in a single take, works on a cerebral level, but the form doesn’t serve the story, and while the overall choreography of actors and camerawork is impressive, it never fully satisfies.

San Francisco Chronicle by Walter Addiego

This tale of a young rape victim further brutalized by officialdom never lives up to its potential.

Slant Magazine by Chuck Bowen

The film savors its obviousness and cruelty as badges of honor, reducing itself to a technical polemic.