Seattle Post-Intelligencer by Sean Axmaker
This is a film about anger, shame and helplessness, and it offers no answers, merely hard questions and angry challenges.
User Rating
Director
Eduardo Casanova
Cast
Ana Polvorosa,
Carmen Machi,
Macarena Gómez,
Candela Peña,
Jon Kortajarena,
Secun de la Rosa
Genre
Comedy,
Drama
The lives of people with disabilities real and fantastical intersect in this dark comedy. Laura, Samantha, Vanesa, Ana and Cristian suffer from a variety of disfigurements that impact their ability to find love and support in an exploitative world. A bizarre sequence of events brings these people together in unexpected ways.
Seattle Post-Intelligencer by Sean Axmaker
This is a film about anger, shame and helplessness, and it offers no answers, merely hard questions and angry challenges.
Los Angeles Times by Kevin Thomas
A wrenching, uncompromisingly bleak film, but its stars, who include talented newcomer Noah Watts as Mogie's son and Lois Red Elk as the brothers' staunch aunt, fill the screen with warmth, humor and spiritual yearning in the face of hardship and tragedy.
Boston Globe by Janice Page
Maybe the redemptions offered are simplistic in the context of this place, but they make for a dramatic (if heavily foreshadowed) conclusion.
San Francisco Chronicle by Edward Guthmann
Graham Greene ("Dances With Wolves") in one of the year's best performances, he's a fully dimensional character: pathetic and shrewd, tragic and bitterly funny.
New York Post by Megan Lehmann
Has a desolate air, but Eyre, a Native American raised by white parents, manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor.
Chicago Sun-Times by Roger Ebert
To see this movie is to understand why the faces on Mount Rushmore are so painful and galling to the first Americans. The movie's final image is haunting.
TV Guide Magazine by Ken Fox
Serious stuff indeed, but the film is also rich with humor -- most of it courtesy of the always-excellent Greene -- and ends with an act of vandalism as shocking as it is exhilarating.
Chicago Reader by Bill Stamets
Greene delivers a wrenching performance, and like "Smoke Signals," the film ends with a cathartic, triumphant flourish.
Washington Post by Stephen Hunter
As coherent storytelling, Skins isn't that tightly wrapped, but as an excoriating look at the plight of the modern American Indian, it bites hard.
Dallas Observer by Bill Gallo
This first generation of Native American movie directors has already managed to make great strides: While prodding the collective conscience of the U.S. mainstream with their disturbing views of the reservation, they have also opened the door to a vibrant spirit world unknown to all but a few.
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