Movie Nation by Roger Moore

Bye Bye Germany makes for a sly, smart, funny and still touching peek into that horrid past, a dramedy with pathos and a reminder that “L’chaim, to life” is the best way to remember it — with a toast to life. In the end, that’s the best revenge of all.

San Francisco Chronicle by David Lewis

A formidable exercise in storytelling. Even at the end, when the inevitable goodbye toast occurs, there is a twist awaiting us.

Screen Daily by Lee Marshall

A little too jaunty and picaresque at times, Bye Bye Germany is nevertheless, when it hits its stride, an entertaining, watchable take on the oppressed-minority-comeback genre (“We’re the Jewish revenge”, as one of the salesmen bitterly quips), shadowed at every turn by an unspeakable horror.

Village Voice by Karen Han

The story digs deep enough that the cheese Garbarski lays on at the end feels well-earned. It’s a charmingly made film.

Screen International by Lee Marshall

A little too jaunty and picaresque at times, Bye Bye Germany is nevertheless, when it hits its stride, an entertaining, watchable take on the oppressed-minority-comeback genre (“We’re the Jewish revenge”, as one of the salesmen bitterly quips), shadowed at every turn by an unspeakable horror.

Los Angeles Times by Gary Goldstein

Bye Bye Germany is a deeply felt yet unsentimental, often wry look at a group of Jewish friends — all Nazi-era survivors — who, in 1946 Frankfurt, unite to sell high-end linens to raise the funds to emigrate to America. Not your typical Holocaust-inspired drama.

The Hollywood Reporter by David Rooney

Ultimately, even if some secondary characters and plotlines are underserved, the strength of the story and the emotional range of the experiences depicted prevail.

Variety by Jessica Kiang

There’s a storybook complacency to Garbarski’s filmmaking (indeed the literal translation of the German title is “Once Upon a Time in Germany”) that gives us the impression that all this is snow-globe history, put away behind glass on a shelf somewhere.