80
The Hollywood Reporter by John DeFore
Suspenseful and funny, occasionally poignant and often nearly unbelievable, it captures a certain sociological flavor while remaining universally accessible.
The Road Movie (Дорога)
Critic Rating
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A mosaic of adventures captured by the dashboard cameras of vehicles driving on Russian roads. Cars driving nonchalantly through a forest fire, a military tank at a car wash, and a car chase next to the Kremlin. Together, these dashboard videos weave together into a strong image of Russian national character.
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What are critics saying?
80
Los Angeles Times by Robert Abele
Between the defensive driving and offensive behavior, and vice versa, The Road Movie is a gleeful rubbernecker’s large popcorn’s worth of crazy.
75
The Globe and Mail (Toronto) by John Semley
The effect of watching these viral videos as a "movie" feels genuinely singular – suspending the viewer somewhere between reality and documentary, between the dash-mounted long takes of Abbas Kiarostami's "10" and the combustible vehicular carnage of Michael Bay's "The Island," between cinema and something else.
75
San Francisco Chronicle by Walter Addiego
Kalashnikov is also smart enough to keep The Road Movie down to 67 minutes, which is all he needs to create this particular vision of hell. (And, by the way, he does so without showing bloody or mangled bodies.)
75
The Film Stage by Jared Mobarak
While I really like how Kalashnikov doesn’t inject himself into the footage with chapter titles, narration, or government officials explaining things, it’s difficult not to wonder if a bit more guidance could have helped The Road Movie from risking reductive criticism as a glorified YouTube playlist.
75
Movie Nation by Roger Moore
The Road Movie is not a narrative film. It doesn’t tell a story, even though there is comedy, tragedy, madness and romance amidst all the crashes and explosions.
70
The New York Times by Teo Bugbee
The camera offers no protection; it only provides a witness. Fortunately for audiences, it’s more pleasurable to witness anarchy than it is to experience it.
63
Slant Magazine by Ed Gonzalez
The film is a doodle, but in its offhanded way, it effectively attests to the resolute nature of the Russian character.
50
Village Voice by Alan Scherstuhl
The mayhem is hypnotic, scabrous, scarifying, unpredictable, astonishing, dispiriting, repetitious, clearly both amoral and immoral, and by the end, a little dull. Even over the short running time, you can feel your humanity’s diminishment.
37
Washington Post
There’s very little to say about The Road Movie. That’s because there’s very little to The Road Movie.
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