Chicago Sun-Times by Roger Ebert

Clockwatchers is a wicked, subversive comedy about the hell on earth occupied by temporary office workers.

Chicago Reader by Jonathan Rosenbaum

This impressive first feature by Jill Sprecher, coscripting with her sister Karen, shows that she has an eye and ear all her own.

Austin Chronicle by Russell Smith

Clockwatchers may not be a Grapes of Wrath for the Nineties, but its intelligence, slow-boil outrage over grunt workers' dehumanization, and subtle assertion of their power to resist make it a terrific piece of pro-labor propaganda.

Boston Globe by Jay Carr

Clockwatchers may not be perfect, but it's on to something. [22 May 1998, p.D5]

Baltimore Sun by Ann Hornaday

Clockwatchers has a terrific, submerged feel, in keeping with its themes of corporate lassitude, isolation and paranoia. [24 Jul 1998]

The A.V. Club

The film's message, that it's impossible to trust in an environment that does not reward loyalty, is as dark as the message sent by the far more acidic In The Company Of Men. Though Clockwatchers doesn't feature the flashy language of that brutal film, it still reveals a similarly astute assessment of modern inter-office politics and workplace alienation.

San Francisco Chronicle by Mick LaSalle

On the surface, it's a mystery in which someone is going around stealing personal items, and the women are suspected -- and suspect each other. In a larger sense it's about how corporate culture is not only antithetical to individuality and human kindness but also hostile toward these things.

ReelViews by James Berardinelli

Clockwatchers offers a perspective of the American corporate office that is both viciously satirical and depressingly accurate.

Philadelphia Inquirer by Carrie Rickey

More on-the-money than Nine to Five and a refreshing change from the Armani-clad piranhas of Wall Street, Clockwatchers contrives the rare feat of being both funny and depressing. [12 Jun 1998, p.14]

The Globe and Mail (Toronto) by Rick Groen

Quite consciously, Sprecher has dramatized that wry riff from Frank Zappa: "Life is high school with money." [12 Jun 1988, p.C3]

The A.V. Club by Joshua Klein

The film's message, that it's impossible to trust in an environment that does not reward loyalty, is as dark as the message sent by the far more acidic In The Company Of Men. Though Clockwatchers doesn't feature the flashy language of that brutal film, it still reveals a similarly astute assessment of modern inter-office politics and workplace alienation.

San Francisco Examiner by Barbara Shulgasser

The boredom of the temporary office workers of the title was nothing compared to the boredom I experienced as this movie dribbled on before my eyes.

Entertainment Weekly by Owen Gleiberman

There’s a wisp of a plot (who could the office klepto be?), but most of Clockwatchers is as empty of drive and imagination as its poor-little-victim heroines, who never seem more than sulky, overgrown high school girls.