Tampa Bay Times by Hal Lipper

This movie is one of the biggest surprises of the new year: a tense suspense thriller, with darkly comic elements, that celebrates American excess while ridiculing it. [09 Mar 1990, p.23]

Entertainment Weekly by Owen Gleiberman

The movie is consistently entertaining; it sucks you in. James Spader is a little too recessive, yet he lends the action a core of wormy anxiety.

The Globe and Mail (Toronto) by Jay Scott

Spader, the actor who rose to prominence in sex, lies and videotape, is excellent at delineating the erosion of Michael's conventionally celestial ethics, while Lowe, the actor who rose to prominence in the home version of sex, lies and videotape, is equally good at delineating the solidity of Alex's unconventionally sulphuric sadism. Sadistic or not, Alex knows how to give good time. So does Bad Influence. [12 Mar 1990]

USA Today by Mike Clark

Overall, this is a tart little toughie - within its limitations. Like 1987's The Bedroom Window, also directed by Curtis Hanson, it admittedly pales next to suspense classics it recalls. Yet on its own terms, it's a hefty cut above the norm. [09 Mar 1990, p.1D]

St. Louis Post-Dispatch by Staff (Not Credited)

This is an entertaining, sexy, cleverly constructed thriller. [09 Mar 1990, p.3F]

San Francisco Chronicle by Mick LaSalle

Director Curtis Hanson gives the film a slow, European pace and a cold, slick look. The sound-track is made up almost entirely of internal noises -- a buzzing fluorescent bulb, music from a record player. Everything contributes to an ominous atmosphere. [09 Mar 1990, p.E1]

Orlando Sentinel by Jay Boyar

Bad Influence has a somewhat effective screenplay, provided by newcomer David Koepp. The dialogue is much sharper in Bad Influence than it was in The Bedroom Window - although the new film's plot could have used more work. [09 Mar 1990, p.5]

Chicago Sun-Times by Roger Ebert

Like many thrillers that begin with an intriguing premise, Bad Influence is more fun in the setup than in the payoff. For at least the first hour, we are not quite sure what game Lowe is playing, and the full horror of his plan is only gradually revealed.

Los Angeles Times by Sheila Benson

If sex, lies, and videotape hinted at Spader's fascination, Bad Influence confirms it; he is one of a handful of startling young American actors whose range has barely begun to be tapped.

Rolling Stone by Peter Travers

Bad Influence will do in a pinch if you're starved for intrigue. For a while, it's nasty fun watching Michael sink into depravity. Erotic and spine tingling, this thriller has undeniable allure. But Bad Influence lacks daring, moral ambiguity and the pleasures of the unexpected, the elements that might give it distinction.