Chicago Tribune
An engaging character study, steeped in religion, demonology and community politics.
Critic Rating
(read reviews)User Rating
Director
Ben Hopkins
Cast
Noah Taylor,
Stuart Townsend,
Sean McGinley,
Embeth Davidtz,
Amanda Ryan,
Rutger Hauer
Genre
Mystery,
Drama,
Fantasy
Simon is an outcast from his Jewish community because he claims that the devil talks to him and he has the ability to put curses on crops. When Dovid asks the 'Squire' to sell him some land so he can build a railway station, a ruthless businessman from the neighbouring gentile community uses Simon to find out who wants to buy the land so he can 'persuade' him otherwise
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Chicago Tribune
An engaging character study, steeped in religion, demonology and community politics.
Boston Globe
An odd but original, at times even poetic, film about a vanished world.
Seattle Post-Intelligencer by Sean Axmaker
For all it's warmth and wonder, it carries little more power than a storybook fable.
The New York Times by Stephen Holden
May be reasonably diverting, but the story never matches the movie's fantastic visual imagination.
Chicago Sun-Times by Roger Ebert
The more I think about Simon Magus, the less I'm sure what it's trying to say.
Christian Science Monitor by David Sterritt
This historical fantasy is too ambitious for its own good, but contains some striking imagery and likable performances.
TV Guide Magazine by Maitland McDonagh
Though the film ends on a surprising and genuinely magical note, it takes its own sweet time getting there; some viewers will have lost patience before the denouement arrives.
San Francisco Chronicle by Wesley Morris
The film has a persuasive murkiness and one extended mythopoetic final sequence that's almost moving in its silence.
Film.com by Robert Horton
The brainchild of English director Ben Hopkins, who takes his time getting going. Too much time, really, as the first hour passes rather antsily, without quite achieving forward motion.
New York Post by Jonathan Foreman
Boring and irritating, and also mildly offensive in its ignorant depiction of both Judaism and Catholicism.
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