Film Threat by Hunter Lanier
If being dull is the cardinal sin of the movies, as Capra supposedly said, then Sorrentino is a saint. There’s not a dull moment in Loro, whether it’s the hypersexual, reality-bending party scenes or the quiet backroom conversations where the truth comes at the characters so unexpectedly, they don’t have time to prepare their usual defenses. All of it is visceral pleasure at an eye-bleeding volume.