The New York Times by Manohla Dargis

With a visual style and a deadpan humor that owes an obvious debt to the Finnish director Aki Kaurismaki ("Drifting Clouds"), they hold their shots long enough for you to scan details, look deep into faces and think on how little (or much) it takes to be happy. Here a painted Jesus hovers on a chipped wall, but it's an unholy family of three that finds heaven on earth.

Boston Globe by Wesley Morris

Octubre is a quick, quiet movie that distills Lima, Peru, to a downtrodden version of its more dynamic current self.

New York Post by V.A. Musetto

Octubre has the feel of something Jim Jarmusch might have made in his early years -- lots of dark humor that you'll think of in the middle of the night, and laugh about.

Village Voice by J. Hoberman

There's a message here regarding loneliness and emotional isolation, but the movie's real miracle is that, however precious its premise, this slow-burning not-quite heart-warmer-never succumbs to cuteness.

NPR by Jeannette Catsoulis

Somber and insubstantial, October nevertheless suggests that the Vega brothers are developing a careful, painterly style. Whether they will be able to match it with narrative depth remains to be seen.

Time Out by Keith Uhlich

Though it holds your attention all the way through to an enigmatic, spiritually tinged climax, the movie leaves you wanting more than the Vega Vidals' secondhand artistry is able to provide.