Village Voice
Adobo doesn't exoticize the culture so much as leaven it with a sense of ordinariness.
Critic Rating
(read reviews)User Rating
Director
Laurice Guillen
Cast
Christopher de Leon,
Dina Bonnevie,
Ricky Davao,
Cherry Pie Picache,
Paolo Montalbán,
Keesha Sharp
Genre
Comedy,
Romance
The everyday struggles of people trying to bridge two cultures, as well as their attempt to find happiness in their new homeland. Tere (Cherrie Pie Picache), mid-forties and single, hosts a dinner for a friend visiting from Manila, Lorna. Invited are their New York City-based friends and former college classmates -- Mike (Christopher De Leon), a newspaper editor in his forties, Gerry (Ricky Davao), an advertising copywriter and closeted gay, and Marissa (Dina Bonnevie).
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Village Voice
Adobo doesn't exoticize the culture so much as leaven it with a sense of ordinariness.
Los Angeles Times by Kevin Thomas
An intimate, good-humored ethnic comedy like numerous others but cuts deeper than expected.
Washington Post by Michael O'Sullivan
Tries to cram too many ingredients into one small pot.
New Times (L.A.) by Andy Klein
The film is reasonably entertaining, though it begins to drag two-thirds through, when the melodramatic aspects start to overtake the comedy.
New York Daily News by Jack Mathews
Offers traditional cinematic gab about marital status, sexual orientation, nationality and degree of fulfillment.
New York Post
Marinated in clichés and mawkish dialogue.
The New York Times by Stephen Holden
As the film loses its grip on its multiple stories, the title begins to suggest an overheated stew bubbling out of its pot. By the end of the film, the intersecting dramas and histrionic performances have spilled all over the floor, so to speak.
TV Guide Magazine by Maitland McDonagh
Though clearly well-intentioned, this cross-cultural soap opera is painfully formulaic and stilted.
San Francisco Chronicle by Edward Guthmann
The movie is stiff and schmaltzy and clumsily directed.
L.A. Weekly by Paul Malcolm
The film's failings are only highlighted by the fact that while, occasionally, we're granted real glimpses of interior lives, largely emanating from de Leon, Davao and Picache, those lives are never given the chance to take shape.
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