The Playlist by Jessica Kiang

Containing not one single jump scare, but building a disquieting atmosphere of dread that leads us to make some brilliantly gruesome inferences, it’s a classy take on the often trashy pregnancy horror category, with a subtle social critique underlying its neo-gothic texture.

The Film Stage by Jared Mobarak

Atmosphere and mood are the film’s strong suit, both growing thickly heavy as time elapses and strange occurrences commence.

Los Angeles Times by Noel Murray

After a strong start, Shelley becomes frustratingly vague in the middle, before rebounding with a finale that makes the implicit menace more explicit.

The New York Times by Neil Genzlinger

Maybe expecting a horror film to have a point is expecting too much. In any case, the two actresses give committed performances on the way to a veiled ending.

Village Voice by Luke Y. Thompson

Director Ali Abbasi excels at atmosphere, understanding that any beautiful landscape can be made terrifying with the right sound design and that a cut to a silent interior can be as jarring as any jump scare. His script, unfortunately, is not as interesting.