Allied | Telescope Film
Allied

Allied

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In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. They fall in love and hope to their leave their double-dealing behind them. However, when they reunite in London, their relationship is tested by the pressures of war.

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What are critics saying?

100

Observer by Rex Reed

Beautiful, bold and blazing with sex and suspense, Allied is a gorgeously photographed, intensely romantic, action-packed film by the great director Robert Zemeckis with two titanic star performances by Brad Pitt and Marion Cotillard that delivers something for everyone.

100

RogerEbert.com by Peter Sobczynski

While it may not quite be the modern-day “Casablanca,” it is nevertheless a grandly entertaining stab at old-fashioned storytelling...buoyed by smart and stylish filmmaking, a good performance by Brad Pitt and an even better one from Marion Cotillard.

90

The New York Times by A.O. Scott

It’s not so much a work of art as a triumph of craft, and therefore a reminder of the deep pleasures of old-fashioned technique and long experience.

88

St. Louis Post-Dispatch by Calvin Wilson

An old-fashioned film that slyly nods to contemporary sensibilities, Allied is an engaging showcase for Pitt and Cotillard.

83

Consequence by Blake Goble

Misdirection, tight spots, intimacy as danger. Allied is a paperback thriller’s greatest hits compilation. But the film’s plotting is lively and sincere, gussying up the staid tropes of intrigue into immediate pleasures and perils.

83

The Film Stage by Conor O'Donnell

Entertainment of the highest order, Allied, like a large portion of Robert Zemeckis’ work, feels like a grand ode to filmmaking of an era past.

83

Entertainment Weekly by Chris Nashawaty

There’s something decidedly old-fashioned about the new Brad Pitt-Marion Cotillard spy thriller, Allied. And that ends up being a good thing.

80

The Telegraph by Robbie Collin

Allied, swathed in larger-than-life, luxurious imposture, is the real heart-racing deal.

80

Time by Stephanie Zacharek

Zemeckis uses technology to elicit the feeling we get when we watch old favorites. It’s almost like Smell-o-Vision, but with intensified visuals instead of aromatics. Even within this highly synthetic world, Pitt and Cotillard give sturdy, coded performances that feel naturalistic, not phony.

75

The A.V. Club by A.A. Dowd

Zemeckis has fashioned an unfashionable throwback, and if Allied doesn’t land the gut-punch it winds up to deliver, there’s nevertheless plenty to admire in a blockbuster craftsman and two beautiful stars paying tribute to the spirit of an older Hollywood.

70

Village Voice by Bilge Ebiri

Allied doesn’t deliver any particularly shocking twists or turns; the real surprise here is how much a well-told, well-acted tale can still resonate.

63

Slant Magazine by Jake Cole

In the film, Robert Zemeckis brings to bear his pop-epic scope in what's otherwise a claustrophobic story.

60

Screen Daily by Tim Grierson

A World War II romance-thriller that starts off smartly but sputters to an underwhelming finale.

60

Screen International by Tim Grierson

A World War II romance-thriller that starts off smartly but sputters to an underwhelming finale.

58

IndieWire by Kate Erbland

Allied can never settle on a consistent tone, bumping along from smooth spy adventure to stylized war picture to treatise on marriage, all peppered with stilted attempts at humor for an added dash of incomprehensibility.

50

The Playlist by Oliver Lyttelton

It’s an engaging film in many respects, but one that exemplifies a lot of the problems that have trailed Zemeckis across his career.

40

The Hollywood Reporter by David Rooney

Plodding and pedestrian even in the technical magic that is a Zemeckis trademark, this is a case of a director out of his element with a script that fails to generate much heat.

40

The Guardian by Peter Bradshaw

Director Robert Zemeckis is usually known for his zestiness and zippiness; but this is arduous. Screenwriter Steven Knight scripted smart movies such as Locke, Dirty Pretty Things and Eastern Promises, and there are some nice touches, but it resembles an unconvincing and sluggish pastiche of a war movie.

40

Empire by Phil de Semlyen

Zemeckis’ old-school romance has its moments and Cotillard gives it her all, but it lacks the zip and chemistry to truly spark.

40

TheWrap by Robert Abele

Allied is ultimately a thin love story, with creaky suspense machinery and star turns from Pitt and Cotillard that feel more like matinee idol dress-up than a meeting of the magnetic.