RogerEbert.com by Sheila O'Malley

Sin Alas has a lot going on, both plot-wise and stylistically, and it often gets quite theatrical, but the overall effect is that of a pure and beautiful simplicity. There is nothing in the way between the story and its impact.

The Hollywood Reporter by Frank Scheck

Although stronger on atmosphere than narrative clarity, its gorgeous visuals and sensuous evocation of the exotic setting render it a hauntingly poetic cinematic experience.

Village Voice by Michael Nordine

Sin Alas matches the half-awake feeling evoked by Luis's ruminations — on love, on Cuba's history, and on himself — well enough to feel authentic even when it meanders too far from what makes it most compelling.

Variety by Andrew Barker

A sensual, brainy, immersive experience that could invite plenty of festival love and attention for its first-time writer-director.

The New York Times by Manohla Dargis

Mr. Chace does his finest work with Mr. Padrón, and together director and actor create a portrayal of a man who, even as he’s stirred to action, seems increasingly burdened by his sentimental education.

Slant Magazine by Clayton Dillard

The film's Cuban specificity comes to seem like an opportunistic locale for reenacting a decidedly art-cinematic legacy.