Lolo | Telescope Film
Lolo

Lolo

Critic Rating

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When workaholic Parisian Violette goes on vacation, she falls in love with local IT guy Jean-René. Jean-René moves to Paris to be with her. However, their relationship is quickly threatened by Violette's co-dependent adult son Eloi, who still goes by his childhood nickname "Lolo."

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What are critics saying?

75

New York Post by Sara Stewart

Even the most extreme punishments are softened by hilariously neurotic dialogue. Vive la Delpy!

70

Village Voice by Bilge Ebiri

Lolo is a fun, airy movie, but it's also unafraid of complexity.

70

The Hollywood Reporter by Boyd van Hoeij

Lolo has a solid laughs-per-minute rate and enough twists to overcome the occasional screenplay hiccup.

67

The Playlist by Jessica Kiang

Lolo features long stretches of perhaps her most accomplished and enjoyable character-comedy yet. But as often with filmmakers for whom a certain register comes almost too easily, Delpy seems impatient with herself and her facility for spiky, verbal sparring and pithy self-deprecating put-downs.

63

Slant Magazine by Chuck Bowen

A curiously unsentimental director of romantic comedies, Julie Delpy sees romance for the work that it primarily is.

63

RogerEbert.com by Glenn Kenny

This sometimes rewarding but also bothersomely uneven comedy is Julie Delpy’s sixth feature film as a director; she also co-wrote.

60

The New York Times by Nicolas Rapold

Many little touches in the film reflect the offbeat hand of Ms. Delpy. But she sells herself short by not giving the mother-son conflict a bit of a sharper edge beyond Lolo’s awfulness.

58

The A.V. Club

The film is at its best when its central trio fumbles around the same circle of hell they’ve obliviously created for themselves, making the best of a situation that is much worse than they could ever imagine.

58

The A.V. Club by Keith Uhlich

The film is at its best when its central trio fumbles around the same circle of hell they’ve obliviously created for themselves, making the best of a situation that is much worse than they could ever imagine.

58

Christian Science Monitor by Peter Rainer

It’s all meant to be funnier than it is.

50

Movie Nation by Roger Moore

Lolo is entirely too familiar, too predictable, a character study in romantic mishaps that’s far less interesting than the name Delpy cooked up for her “little alpine bunny,” a passive, pretty creature worthy of our contempt, at least as Wells envisioned him.

50

Variety by Andrew Barker

Well cast and funny just often enough to recommend.

40

Screen Daily by Tim Grierson

Julie Delpy’s latest directorial effort juggles some potentially delicious ideas, but Lolo proves to be an exasperating romantic comedy that flirts with darker terrain it never has the guts or wit to really explore.

40

Screen International by Tim Grierson

Julie Delpy’s latest directorial effort juggles some potentially delicious ideas, but Lolo proves to be an exasperating romantic comedy that flirts with darker terrain it never has the guts or wit to really explore.

20

The Guardian by Peter Bradshaw

This romp is just embarrassing.