Casino Jack | Telescope Film
Casino Jack

Casino Jack

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This dark comedy recounts the rise and fall of super lobbyist Jack Abramoff. Jack builds his career through accepting money to influence others, but sometimes even he falls prey to stealthy persuasion. When it's time for him, his team, and his family to face the music, he won't go down without a fight and some good humor.

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What are critics saying?

80

Chicago Reader by J.R. Jones

Though Casino Jack never lets its protagonist off the hook for his misdeeds, it does underline the hypocrisy of those politicians who were content to take his money but then ran for cover in February 2004 when the Washington Post began to expose his fleecing of six different Indian tribes.

75

ReelViews by James Berardinelli

Above all, however, Kevin Spacey is the reason to see Casino Jack. This movie will stand alongside "The Usual Suspects" and "American Beauty" as examples of what the actor is capable of accomplishing when he is properly motivated.

75

New York Post by Lou Lumenick

One of the highlights of Casino Jack is Abramoff doing dead-on impressions of Arnold Schwarzenegger and Ronald Reagan, among others.

75

Christian Science Monitor by Peter Rainer

Kevin Spacey gives a bravura performance as superlobbyist Jack Abramoff in George Hickenlooper's uneven but often loopily entertaining Casino Jack.

75

Chicago Sun-Times by Roger Ebert

Casino Jack is so forthright, it is stunning.

70

The Hollywood Reporter by Michael Rechtshaffen

Slick superlobbyist Jack Abramoff is the colorful subject of Casino Jack a similarly slick and undeniably entertaining true-life D.C. crime story, boasting a robust Kevin Spacey performance.

63

Rolling Stone by Peter Travers

Spacey holds center. He's a bonfire.

63

Orlando Sentinel by Roger Moore

It's a sordid tale and, in Gibney's telling, a cautionary one.

63

The Globe and Mail (Toronto) by Kate Taylor

The facts really get in the way of the portrait here, and we are left hungry for more Spacey and more insight into a man with the hubris to wonder if he has disappointed God.

60

Movieline by Stephanie Zacharek

Hickenlooper too often approaches his subject with the filmmaking equivalent of a wry chuckle.

50

The New York Times by A.O. Scott

The plot has so many moving parts - so many envelopes of money, dropped names, half-explained schemes and hasty flights - that it quickly becomes more frustrating than illuminating.

50

Los Angeles Times by Betsy Sharkey

Though the film is peppered with one-liners tailor-made for Spacey to sling with stinging effect, it doesn't so much leave you laughing as just weary, and wishing this weren't a true story at all.

40

New York Daily News by Elizabeth Weitzman

The trouble starts with the casting. The usually reliable Kevin Spacey never quite gets a handle on Abramoff, an Orthodox Jew devoted to unorthodox business methods.

40

Village Voice by J. Hoberman

In the grand finale, Abramoff fantasizes about using a Senate hearing to blow the whistle on the entire corrupt establishment. His rant offers a clue to how this otherwise pointlessly manic movie might have honed its political edge.

40

Time Out by David Fear

This is fertile material for a darkly comic indictment. Instead, we get recycled cynicism (politicians are hypocrites! more dirty money, more problems!) and Spacey's gallery of impersonations-W.C. Fields, Stallone, Reagan-in lieu of a flawed, flesh-and-blood human being.

33

The A.V. Club by Scott Tobias

Spacey has made a career out of projecting the smarmy elitism of the powerful, but Casino Jack is so painfully clunky that he gets dragged down along with it.