Movieline by Stephanie Zacharek

This is a household in which the rules are very formal, and they're matched by the formality of the filmmaking.

Entertainment Weekly by Lisa Schwarzbaum

The class warfare in The Housemade feels dated, but there's something nicely kinky in this lusciously photographed erotic Korean thriller by Im Sang-soo.

The Hollywood Reporter

The outcome is a flamingly sexy soap opera whose satire on high society is sometimes as savage as Claude Chabrol's "La ceremonie."

The New York Times by A.O. Scott

An admiring, clever remake of Kim Ki-young's legendary film of the same title from 1960, this version, directed by Im Sang-soo, is at once more explicit than the original and less kinky.

The A.V. Club by Scott Tobias

Though impeccably photographed and acted, The Housemaid begins to feel stifling and airless once Im's thesis about the abuses of the powerful starts to drive the film to a foregone conclusion.

New York Daily News by Elizabeth Weitzman

Korean director Im Sang-soo can't improve on Kim Ki-young's 1960 original, a jarring and operatic cult favorite. Still, he does tweak the themes in intriguing fashion.

Time Out by Keith Uhlich

The major change is that the domestic, Eun-yi (the great Jeon, star of "Secret Sunshine"), is now more of a victim than an aggressor.

Village Voice by Nicolas Rapold

Despite eccentric touches, like a handheld street-shot overture and Grand Guignol Omen references, there's little difference between this story and soap-opera intrigue.

Variety by Justin Chang

This high-end softcore thriller is juicily watchable from start to over-the-top finish, but its gleeful skewering of the upper classes comes off as curiously passe, a luxe exercise in one-note nastiness.

Boxoffice Magazine

With high production values and a glossily enjoyable mise-en-scene, the film is watchable.