San Francisco Chronicle by Peter Hartlaub

The visuals themselves are inconsistent, but never boring. The sidekicks seem considerably less painstakingly rendered than the leads. A few of the merchants have the unnatural look and jerky movements of Pirates of the Caribbean animatronics.

Screen Daily by Fionnuala Halligan

This is a muscular story about the fight for freedom which is rich and vibrant and authentic. However, Bilal’s beefy approach also extends to scenes of torture and bloodthirsty battle sequences.

Screen International by Fionnuala Halligan

This is a muscular story about the fight for freedom which is rich and vibrant and authentic. However, Bilal’s beefy approach also extends to scenes of torture and bloodthirsty battle sequences.

The Hollywood Reporter by Deborah Young

Bilal is a grand-scale, fast-paced animated adaptation that is both empowering and inspiring in its call for social justice and equality.

TheWrap

Though the film is at best confusing in its narrative, Bilal is still a showcase for the capabilities of animated cinema on the Arabian Peninsula.

Philadelphia Daily News by Gary Thompson

The animators have figured out horses and falcons and snakes, but human body movements are stiff, awkward, and mechanical.

Washington Post

Epic in its ambitions and often visually and emotionally strong, the film nevertheless suffers from a confusing narrative and a style of computer animation that blurs the lines between the real and the animated in a way that evokes the discomfiting artifice of “The Polar Express” (2004).

The A.V. Club by Ignatiy Vishnevetsky

By reducing teachings to vague platitudes and inspirational truisms, Bilal robs its religious story of any sense of grace, leaving only those components of early Islamic history generally not considered off-limits for visual interpretation—that is, a lot of early medieval warfare and violence.

Variety by Jay Weissberg

The dialogue is very clear-cut, devoid of all contractions so that people speak in unnatural ways, though perhaps it makes the conversations clearer, especially to audiences whose native language might not be English. More problematic are the never-ending platitudes, all tied to spreading the message of equality.

Los Angeles Times by Charles Solomon

Much of the dialogue is too literal and undercut by its stolid earnestness, and many of the characters are left underdeveloped.

Slant Magazine by Keith Watson

The animation feels like the result of the cold calculus of an algorithm rather than a human director with a personal vision.