Carnage | Telescope Film
Carnage

Carnage (Carnages)

User Rating

After a bull is killed in a bullfight, its body parts are transported across Spain, France, Italy and Belgium. The bull's parts fall into the wide variety of people, including: an Italian actress selling the bones in a supermarket promotion, a Spanish woman who dines on its steaks, a little girl in France who imagines a world where animals are much larger than humans, and a taxidermist whose wife is simultaneously giving birth to quintuplets.

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What are critics saying?

90

Salon by Andrew O'Hehir

What emerges is an astonishing debut, unlike anything else you'll see this year.

88

Premiere by Aaron Hillis

A truly remarkable and compassionate debut from a savvy, self-confident filmmaker. No bull.

88

New York Daily News by Jami Bernard

An amazingly self-assured movie, it percolates with themes and ideas, all held together by the gift of the bull's parts.

80

The New York Times by Dana Stevens

Ms. Gleize, through a series of oblique, half-comic scenes and meticulous, rhyming visual compositions, offers up an elegant, discursive essay on carnality and carnivorousness -- on sex, death, meat and the ravening hunger for companionship.

75

Christian Science Monitor by David Sterritt

Funny, sad, and tinged with magic realism, this ambitious comedy-drama is as original as it is nimbly directed.

70

TV Guide Magazine by Ken Fox

The film becomes a complex tissue of intersecting lives, but Gleize handles each developing story with amazing ease, and the fabulist touches are the icing on a very tasty cake.

70

Village Voice by Michael Atkinson

Dead flesh is a ruling motif, but Gleize's airy, observant personality makes even the graphic dismemberment of the bull, scored with flamenco stomps, buoyant and fascinating.

70

The A.V. Club by Noel Murray

Gleize establishes her multiple plotlines fairly cleanly, though once disentangled, the individual stories don't offer enough incident to be meaningful. They don't mean that much all put together, either, but Carnage is still highly watchable, thanks to Gleize's keen eye.

60

The Hollywood Reporter

The episodes are uninteresting and the characters one-dimensional. Unlike the multicharacter tapestries of such filmmakers as Robert Altman and Paul Thomas Anderson, the pretentious whole here is ultimately less than the sum of the parts.

30

Variety by David Rooney

Audience patience undergoes a far more brutal butchering than anything onscreen in Delphine Gleize's wildly over-reaching feature debut, Carnage.