The New York Times by Jeannette Catsoulis

Harnessing a range of appropriately spooky-oddball narrators and striking visual styles — including graphic novels, early photography and Expressionist painting — the Spanish director and animator Raul Garcia simultaneously honors and reimagines.

Los Angeles Times by Charles Solomon

Like "A Cat in Paris" or "Sita Sings the Blues," Extraordinary Tales reminds viewers that animation can enable an artist to realize an individual vision, even on a limited budget.

The A.V. Club by Tasha Robinson

Each of the shorts has a markedly different visual approach, and they feel radically distinct in terms of pacing and editing as well. In spite of the common source material and tone of oppressive psychological horror, these shorts feel like they could be the work of five different people.

RogerEbert.com by Brian Tallerico

Both the source material and the man reading it are legendary. And that inherent cool factor in Extraordinary Tales carries the final product a very long way, although its shortcomings do sometimes force me to wonder if it could have been a masterpiece instead of a mere curiosity.

Boston Globe by Peter Keough

Perhaps Poe’s tone poses a problem; the edge-of-hysteria voice does not hold up well over the course of a feature-length film.

Slant Magazine by Carson Lund

It offers a CliffsNotes encapsulation of Edgar Allen Poe's most enduring works for viewers unacquainted with them.

The Guardian by Jordan Hoffman

Animator Raul Garcia’s 70-minute anthology of five Poe stories, Extraordinary Tales, has its moments, and will be a welcome respite for any middle schooler sitting through a boring lecture. But if we were ever asked if we wanted a second viewing, we’d have to quoth the raven: nevermore.